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» Micro Seiki SX777 Air Re»
» Another problem in my ne»
» About the tweeters phase»
» Large Polystyrene Caps
» Horns and digital crosso»
» Woman conductor?
» BiDat: One more output
» Romy...thoughts on Lamm »
» Amazon and MP3
» RAAL Dipole Ribbon Tweet»
» The cut or not to cut, t»
» Sound is like a proverbi»
» Magico Mini or Jonathan »
» The optimum Sampling Rat»
» DAW is down… new DAW.
» The best speaker in the »
» The iHorn - a passive a»
» Boston and Bruckner
» Where is the real Russia»
» A contemporary AD1 Triod»
» The WHRB’s Orgies period.
» The fantastic Lucas Deba»
» About audio Crashes.
» The Brain Inertia.
» Mid Bass horns help with»
» My reading for a “smalle»
» BSO and 192kps
» I am not a Nostradamus, »
» My playback’s sound vs. »
» A primer on high-end mar»
» Digi Redux; Drive 1 tran»
» "SOTA Technology&qu»
» Upperbass horns – tone v»
» Radiation patterns match»
» SET and speakers: disreg»
» The “sounds” that I am l»
» RIP, Joan Sutherland, &q»
» More about the EdgarHorn»
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The Music Parlour.
Appian Publications & Re»
Eugene Ormandy Pages
NPR's SymphonyCast
Classical Music Forum
Recording Technology His»
FM Radio Query
ClassicalNet
Club Abbadiani Itineranti
Classical Music Network
OperaGlass
Linkwitz's "Laboratory"
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
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APR 12 Takács Quartet in Gr»
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Koetsu Onyx Platinum Ca»
Micro-Seiki MAX-282 To»
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REL Precedent 646C tuner
CEC TL-0 MK2 transport
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