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» Günter Wand Intervi»
» Bach's Cello Suites
» Macondo 2.0?
» Klipsch Jubilee horn
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» Bruckner 9, Transcriptio»
» Forward in the past with»
» A stunning Beethoven’s “»
» Thoughts from Clark John»
» I built this device
» A quest for a better mon»
» Passive transformer base»
» The DSET perspective exa»
» Horns and digital crosso»
» From Newton to Einstein
» Johannes Brahms - Sympho»
» To drive the 6C33C...
» MET Broadcast, season 20»
» Brian Cheney of VMPS
» Midbass injection channel
» Tightening to loosening »
» Align your FM tuners!
» Oliver Sacks' "Musi»
» Help to identify the LF »
» 7788 tube mic pre design
» Analog FM on a PCI cards?
» Non-classical genius (st»
» The ultimate buffer #2..»
» Maxonic drivers from Jap»
» A Frankenstein Macondo -»
» How High-End Audio can b»
» RIP Henryk Mikolaj G»
» Is better than Kinetic S»
» Digital Equalization
» Good commercial speakers
» Vitavox S2 coupling
» Polarity Tester – a must»
» Audio system: my path to»
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Perer Gulmann's Classica»
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Tonal tests
Linkwitz's "Laboratory"
Arbiter Records
Wiener Philharmoniker Di»
Max Robinson’s “Fun With»
The Cartridge Database
Vladimir Lamm Site
Michelangeli Site
Opera Collector Guide
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Musatex-TP Bidat 20-Bi»
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