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» Koussevitsky and La Mer
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» A fundamentally faulty J»
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» The single-ended pretens»
» A revolution for Executi»
» 5 Channel Version of Mel»
» Prices in High-End Audio.
» Radiation patterns match»
» Parts As Facilitators or»
» Here's what's REALLY wro»
» Bermuda Triangles of Aud»
» Engineering over Art
» High-End Audio, how to »
» A new European productio»
» The Rachmaninoff's large»
» Why I do not like the &q»
» A “pocket version” of Br»
» Avantgarde Trio, Roy Gre»
» Levels of High End Audio»
» How many channels does a»
» What is better then Wagn»
» Crane Radio CCE2
» Van Cliburn Moscow 1958
» How to record FM broadca»
» Analogue to digital conv»
» Loenid Kogan
» Choice of Fireware Inter»
» I can't wait to read the»
» A full-range driver = C»
» FM Acoustics
» BW Broadcast RBRX Encore»
» Arranging my records col»
» Tonality versus Frequenc»
» Thoughts on midbass horn»
» Silicone gel damping?
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The Cartridge Database
Linkwitz's "Laboratory"
Value of Records Tool
Lockwood Audio
Plasma Tweeters Site
33+45=78
John Lenard Burnett's si»
Female Composers Site
OperaGlass
Tuners Stereo Surgeons
Phono EQ
Soviet Composers
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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