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End of Life Phonostage
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» Harmonies for Bosch’s Ga»
» Shall quality-price be r»
» Constant directivity = c»
» How to record FM broadca»
» Don't evaluate audio by »
» Clean and polish gunmeta»
» The CD players must read»
» About audio Crashes.
» The cPlay software.
» Abbado + Lucerne Festiva»
» Why GOTO do not care abo»
» Proximity of horn’s cros»
» The mystery of Koetsu On»
» Tolga Kashif's “The Quee»
» Holly Proscenium idiocy!
» Stupid SME question abou»
» First Order on Bass chan»
» Wilson Audio Setup Proce»
» Russian Orthodox liturgy»
» Time Alignment : Live Pe»
» The DHOFT topology? Do n»
» Interview with Daniel We»
» The “Dead Points of Live»
» Suggested target curves »
» DSET phoned home?
» The ridicules naming of »
» Magico new 5 ways idea. »
» Another 2005 CES standou»
» The ultimate buffer – li»
» Which SME 3009?
» Sarah Chang last night a»
» Midbass Horns and Real E»
» The 3rd music revolution»
» Horn length/expansion/gr»
» Upper-Sound of Upper-Imp»
» The “theories” about the»
» Memories of audio elemen»
» 3 ways how I listen to m»
Bookmarked are red
DaVinciAudio Labs
Classical Composers
Michelangeli Discography
Hermann Scherchen discog»
The AHRC Research Centre
Professional Audio Calcu»
Valves Collection
Parnassus Records
Dolmetsch Online
Linkwitz's "Laboratory"
Tonal tests
OperaGlass
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Sansui TU-X1 Tuner
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