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» Analog Transfer: the fir»
» The state of High-Effici»
» TX-103s...
» Perception of bass?
» The stunning “The Magic »
» Juana Zayas plays Chopin
» A strange urge.
» Playback and Perception »
» Performers
» Grid bias power supplies
» RAAL “Water Drop” tweete»
» An ultimate horn profile?
» The K&K SE hybrid ph»
» Buzz/Kill, and The Most »
» Deficiency of sensible a»
» Small double bass horn f»
» Push pull compound compr»
» Music and Arts' Spring.»
» Lamm introduced LL1 Sign»
» True High-End Audio: Ant»
» Reel-to-Reel Tape vs. Ra»
» Does high-sensitivity sp»
» Suggested target curves »
» FM Acoustics
» George Orwell and loudsp»
» NAT Audio Magna -160 Wat»
» To play my 88/24 files o»
» Making it sing...
» Horns with contra-profil»
» Professional sound syste»
» What to do in England?
» The path of simplificati»
» Audio Shopping vs. Piano»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
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Hillock TV-2 tube tester
Kenwood L-02T FM Tuner
Stage Acompany SA8535 d»
Vitavox AK151 15" bass »
Korvet “Egg” Tonearm
Altec 515B bass drivers
Mid-range tantrix round»
Purist Audio Design Pro»
Micro-Seiki Arm Board
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REL Precedent 646C tuner
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