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» Meitner Audio - Ed Meitn»
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» Tubas and Mc-step
» Drama vs. Chic
» Better solution for bein»
» What drives good sound?
» My Koshka is meowing
» Soprano Sally Matthews.
» Orphean horns / BMS driv»
» CES – constant but fortu»
» My Audio Philosophy
» DSET phoned home?
» The Studio AU projects.
» The ultimate buffer #2..»
» Crash course on horns an»
» The “sounds” that I am l»
» A very slow monolog abou»
» K-Stereo Ambience Recove»
» Neumann Dummy Head.
» DAC Recommendations
» A Good Tchaikovsky PC 1?
» Horn high-sensitively ar»
» Oistrakh(s) on Monitor M»
» Aporia - Silbatone Acous»
» Absolutely the best audi»
» The dynamic range of our»
» Plaishner 3-way speaker.
» Valve Technology Timeline
» Better organization/desi»
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» Japanese Super High Mate»
» Why David Robertson does»
» Exceptional loudspeakers»
» This new midbass horn di»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
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Lamm L2 Reference pream»
Musatex-TP Bidat 20-Bi»
Koetsu Onyx Platinum Ca»
Tribute Output Amorphou»
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Hillock TV-2 tube tester
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