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» Lithuania enters the gam»
» Upperbass horns – tone v»
» 7788 tube mic pre design
» Boulez' LF-Injected Vers»
» The Remote System Manage»
» A fundamentally faulty J»
» Earl Geddes: Horny Book
» An ultimate horn profile?
» The Avicenna's failure i»
» Playback as an expressiv»
» Herbie's Hal-O Tube Damp»
» Like theese?
» Etheraudio's some BS….
» Bruckner Ninth and the W»
» Carbon Interconnect
» Live vs. Recorded transc»
» Kharma Speakers as pH-in»
» Floor reflections
» Updated view: The Optima»
» Schubert's Dancing Cats
» PlayClassics TRT v2.0 ma»
» Seven hours of live musi»
» Radio Netherlands’ Live!»
» Amplifiers heat… a real-»
» The 6E5P tube data.
» Compression Drivers -in »
» The UnipheyeMusic and St»
» What are the effects of »
» The “Primary Frequencies»
» Macondo 2.0?
» Anyone know this horn fl»
» About “strangeness” of A»
» The nature of "soun»
» World's First Concrete R»
» Anybody building or usin»
» I do not know what else »
» A weekend of treats by B»
» Bliss
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Silent Running Audio
Decca Classical discogra»
Hub Arts
Solid State Electronics
Lockwood Audio
Vincent Brient's Sit
The Leonard Cohen Files
Tchaikovsky-Research.
Alexander Karpov’s “Next»
Stereopal
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Vitavox S2/S3 diaphragms
LF Transformer for 6C33C
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Kenwood L-02T FM Tuner
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Hillock TV-2 tube tester
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