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» To move audio equipment »
» The New sound of London »
» What is High-End Audio?
» The realty of UHF and LF»
» Plaishner 3-way speaker.
» Herbie's Hal-O Tube Damp»
» A proper implementation »
» Walter conducting Vienna»
» Mitigating Undesired Hig»
» How to organize files wi»
» Kalinnikov’s First Symph»
» The “better speakers” to»
» Stage Music: get clew.
» RMAF 2008 observations, »
» Glorious HDMI Cable.
» Things to look out for w»
» Dpols?
» Multicellular horns
» How many Bits needed for»
» Engineering over Art
» I do not even know where»
» Truly a new use of high-»
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» What TRULY high-audio p»
» New Shalin Liu Performan»
» Building horn onto power»
» BBC: Composer of the Wee»
» Measuring reality: empir»
» Medici TV, interesting…
» Myth: High-efficiency L»
» Tanglewood 2010
» Prokofiev
» “Hearing Modernity” at H»
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» Mozart: "Cosi Fun T»
» What, no Mahler?
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
NPR Classical Programs
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Classical Music News
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a woman takes the podium a»
he wasn’t toscanini, but h»
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another trump blunder»
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Composer's Anniversaries
Praetorius, Jacob (8 Febru»
Torelli, Giuseppe (22 Apri»
Grétry, André-Er»
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Vermeulen, Matthijs (8 Feb»
Lutosławski, Witold (»
Williams, John (Towner) (8»
My Audio Leftovers
LF Transformer for 6C33C
Hillock TV-2 tube tester
Altec 515B bass drivers
Vitavox S2/S3 diaphragms
Musatex’s Bidat Model "»
Vitavox AK151 15" bass »
Rohde & Schwarz MSDC Mu»
Lamm Industries M1.1 Mo»
Electro-Voice T350 twee»
SME M2 - 12" Tonearm wi»
Fane Studio 8 dual conc»
More Leftovers »»