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» The “Implied Sound” in A»
» Elgar conducts Elgar.
» "Seamless extended »
» Romy...thoughts on Lamm »
» Tolga Kashif's “The Quee»
» Many Mani's options: My »
» The jump-start of loudsp»
» Is horn a natural shape?
» Horn placements - horns »
» Lavry D9a26 Power Supply
» How does it sound?
» Abbado + Lucerne Festiva»
» 100V vs 120V
» Appearance of listening »
» Overlooked Cello Reperto»
» Rohde & Schwarz EU-6»
» Wiring for box speakers?
» Has anyone ever seen the»
» The idiotism of Audio Sy»
» Micro seiki SX-8000 Air »
» My playback can’t play l»
» The single-ended pretens»
» Reference Recordings “di»
» Denon 103: myths and the»
» Altec cabinet: 815a
» MacondoLite
» RMAF06 Show Report
» Digital crossovers self-»
» The Evolution (or Anti-E»
» Devid Berning amplifiers»
» Panel with Peter Qvortru»
» (monitor vs hifi speaker»
» Critique audio performan»
» The John Barbirolli’s wi»
» Sansui TU-X1 Broadcast m»
» Brahms, "Liebeslied»
» Dreams about Audio
» It is imposable to “hear»
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Arbiter Records
Alexander Karpov’s “Next»
Musical Musings
Pristine Audio Direct
Furtwängler's conserts
WGBH's “Keeping Score”
Neal's Recordings
Plasma Tweeters Site
MetManiac Opera Archive
Silent Running Audio
Radio-Locator
Vintage Audio Trader
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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