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» The today’s take on Rach»
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» The 68 dipoles imitation»
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» Why I do not like La-hor»
» Vendors’ Egos.
» About digital files and »
» The 3rd music revolution»
» It is all about hard sur»
» Copyright protection for»
» Classical Music for the »
» Horns with contra-profil»
» Macondo 3.0
» Beware of "Higher F»
» Red Violin Concerto
» Training amplifiers
» A better way of approach»
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» Small SET’s bass, beside»
» Another horn manufacturer
» The single-ended pretens»
» Berlioz Requiem / Pavaro»
» The bizarre magnetized 6»
» Non-Jewish Jewish music »
» Afraid loudspeakers that»
» Chord QBD76 - the new dac
» Harmonies for Bosch’s Ga»
» Contributing factors in »
» Danley's Hyperion
» Khachaturian anyone?
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
NPR Classical Programs
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marin alsop on her swing or»
mahan esfahani: tiny desk c»
cellist lynn harrell has di»
npr music's top 14 albums o»
anthony davis wins pulitzer»
augustin hadelich: tiny des»
c.p.e. bach: mercurial dive»
Classical Music News
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julian bream, maestro of g»
a woman takes the podium a»
he wasn’t toscanini, but h»
9 things to do this weeken»
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another trump blunder»
from concerts to cartoons:»
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how to diversify orchestra»
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Composer's Anniversaries
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Harrison, Lou (14 May 1917»
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Wickham-Smith, Simon (2 Fe»
Hoffman, Marcus (2 Februar»
My Audio Leftovers
Stage Acompany SA8535 d»
Musatex’s Bidat Model "»
Rohde & Schwarz MSDC Mu»
Pacific Microsonics Mod»
Mid-range tantrix round»
Micro-Seiki Arm Board
“Tree Blind Mice” colle»
SME M2 - 12" Tonearm wi»
Lamm L2 Reference pream»
Purist Audio Design Pro»
REL Precedent 646C tuner
More Leftovers »»