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» Building “Zarathustra II»
» MF on AF2, and (perhaps)»
» High-End Audio demo, the»
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» JBL2440 on a round 300Hz»
» The contra-ridicules sol»
» Sub-woofer integration w»
» What would be left in au»
» Tuva Semminsen sings Viv»
» BBC broadcasting radio e»
» Who inherit Mocondo or a»
» "Consensus in audio»
» Outdoor horns
» About rationalism of twi»
» A listening room for a d»
» 6C41C – the journey to n»
» DA architecture: True M»
» Yamaha tuners
» Just-Sound of Audio vs. »
» Shostakovich‘s "Suite on»
» Like colourful contrasts»
» Large La or Tratrix horn»
» Some Observations about »
» A new generation of full»
» About TTH characteristic»
» Truth stretched out via »
» Absolutely the best audi»
» The Macondo’s Upper Bass»
» Ways to use audio method»
» How to sell high-end aud»
» The "non-winner&quo»
» Nice pair of S2s on eBay»
» Think ahead how to measu»
» Benjamin Grosvenor is co»
» Yep, Bach would do it….
» Taking the mystery out o»
» Sarah Chang last night a»
» Carbon Interconnect
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The Thiele-Small Loudspe»
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Phil Mundi Audio Pro Med»
The Bruckner Discography
Boom's Dungeon
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Kenwood L-02T FM Tuner
Musatex’s Bidat Model "»
CEC TL-0 MK2 transport
Pacific Microsonics Mod»
Micro-Seiki Arm Board
Stage Acompany SA8535 d»
Vitavox S2 Compression »
Purist Audio Design Pro»
REL Precedent 646C tuner
Lamm ML-2 Single-Ended »
Ortofon Mono CG 25 Di c»
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