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» Midbass Horns and Real E»
» My trip to the Stereophi»
» John Cage about silence »
» Meitner Audio - Ed Meitn»
» The Avicenna's failure i»
» Any South/Latin American»
» TX-103s...
» An idea of Individual Re»
» (monitor vs hifi speaker»
» The many sounds of a City
» Open Baffle Speaker Desi»
» RCA’s Sound And The Story
» Audio and Politic: a sol»
» When the stars aligned.
» BPO's virtual concert ha»
» A very good horns system.
» Another time aligned 5-w»
» Available Blenders and S»
» The nature of "soun»
» Lowther Driver
» Summer Refreshment; the »
» Transparent horns
» The “Dead Points of Live»
» Engaging the David Haign»
» That is not 1812 and the»
» Very in depth considerat»
» Tchaikovsky: Symphony No»
» Baltimore Symphony Appoi»
» Trinnov amplitude and im»
» Looking for different So»
» How to listen High-End A»
» Why David Robertson does»
» Brahms PC #1, Philharmon»
» Romy the Cat's site
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» Tannoy's Flagship by Jef»
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Bookmarked are red
Aria Database
Rottenburger Museen
Louis Speichler's Records
Boston Philharmonic Orch»
Plasma Tweeters Site
WGBH's “Keeping Score”
Tahra Records
Nornan Lebrecht's blog
Tubecad publication
Broadcast History
Unofficial Vitavox Site
FM Radio Query
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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