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End of Life Phonostage
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» Avantgarde Trio, Roy Gre»
» Modifying TAD 2404
» Vinyl Ceremonies: Repeat»
» Use absolute polarity as»
» EMM Labs hits… the chick»
» A different breed of 6C3»
» I think it is the end.
» It is about timbres, stu»
» Ah Mravinsky !
» Music in the Sound: a mo»
» DAC Recommendations
» Gould's Goldberg Variati»
» The real goals of sound »
» Vasily Petrenko in Bosto»
» Benjamin Grosvenor is co»
» Brahms' Magelone Songs
» My CES
» Should I low pass the mi»
» D'Agostino/Momentum SS M»
» Wanted Vitavox S2 Origin»
» Weinberg String Quartet »
» The SACD and the Windows»
» Memories of audio elemen»
» Soprano Sally Matthews.
» Haliaetus: Dick Cheney’s»
» The elusive “absolute to»
» The most promising “best»
» Oistrakh(s) on Monitor M»
» Munich High End 2011
» Tonearm Alignment Method
» Fidelity Research FR-7
» Micro SX8000I: noisy pum»
» Top Recordings of All Ti»
» Plugin for drawing segme»
» If you’re multiamping th»
» About the Playbacks’ Thi»
» Patricia Kopatchinskaja »
» It is possible to elimin»
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Jogis Röhrenbude's Site
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Hi-Fi Speakers Design
WGBH's “Keeping Score”
The Gustav Mahler Board
Classical Collections
WHRB Radio Station
Orchestra on Demand
OboinaThor
American Broadcasting
Lenard's Opals monitor
Jim Moskowitz's Unknown »
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Altec 515B bass drivers
Vitavox AK151 15" bass »
Electro-Voice T350 twee»
Koetsu Onyx Platinum Ca»
REL Precedent 646C tuner
Lamm Industries M1.1 Mo»
Conscience of audio rev»
Lamm L2 Reference pream»
Micro-Seiki Arm Board
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Altec 808A compression »
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