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» Get, or made up a tube t»
» The "non-winner&quo»
» What would be left in au»
» A Cardboard Effect.
» Macondo vs. the “industr»
» Why horn-loaded loudspea»
» CES – constant but fortu»
» Wine, women, song.. and »
» Beauty as I See It - Mus»
» NASA Reverberant Acousti»
» About my listening habit»
» What Passes for "Sp»
» Non-Jewish Jewish music »
» Classic Artc Showcase St»
» Playing music for visito»
» The 3rd music revolution»
» Sarah Chang last night a»
» Artificial Phases Random»
» It is possible to elimin»
» Help with Math needed.
» Bach, Brandenburg Concer»
» The Berlin Philharmonic »
» JBL Project Array
» Dannoy and oxytocin...
» Wilsons, EMM, Ozawa, Sa»
» About DSET-driven multi-»
» SET and speakers: disreg»
» Rebel++ first blood, Amp»
» Eat your heart out, Mr. »
» To Rip or not to Rip.
» Van den Hul famous FAQ c»
» Gospel, pop, jazz and co»
» Drama vs. Chic
» Bruckner, Wind and the w»
» Lutoslawski’s Concerto f»
» Do not buy Brand and Mod»
» Why Horn loaded systems?!
» Macondo's Axioms: Horn-l»
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Avie Records
Appian Publications & Re»
Wing Records
IMSLP Music Library
Cedille Chicago
Perer Gulmann's Classica»
The Soul of Sound
Tuner Information Center
Pjay's Speaker building »
The Air This Week
GS Tube
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
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APR 12 Takács Quartet in Gr»
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Vitavox S2/S3 diaphragms
Mid-range tantrix round»
Sansui TU-X1 Tuner
Korvet “Egg” Tonearm
Micro-Seiki air-suspend»
Lamm ML-2 Single-Ended »
Vitavox 330Hz Horn for »
CEC TL-0 MK2 transport
Electro-Voice T350 twee»
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