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End of Life Phonostage
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» Do the Filament Transfor»
» The fantastic Lucas Deba»
» Haniwa Cybernetic Audio »
» Sound of line level filt»
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» Digital recorders: what »
» Some Observations about »
» High End 2012 in Germany
» Paul McGowan. tubes in p»
» The “sounds” that I am l»
» Boston and Bruckner
» I need some advice and d»
» A new CES 2010 loudspeak»
» Recording options: Pacif»
» DIY Void acoustics Air m»
» Munich High End 2010
» What is wrong with Dipol»
» Horns and digital crosso»
» My first audio show. Hmm»
» Altec Lansing model 19 c»
» To Milq builders: correc»
» More or less pleasure: w»
» Bad orchestras shell not»
» Wagner and loudness.
» The K&K SE hybrid ph»
» Vincent Brient’s playbac»
» High-End Audio and ... c»
» Panel with Peter Qvortru»
» Starting from scratch - »
» K-Stereo Ambience Recove»
» High-End Audio. The thir»
» The “new” ways for initi»
» Vinyl Ceremonies: Repeat»
» Tchaikovsky’ Death
» Roger Waters' Ça Ir»
» Carbon Interconnect
» A use of extraordinarily»
» Dpols?
Bookmarked are red
Dr. Bruce Edgar Interview
BachTrack
GedLee loudspeakers
Rradiomuseum
The AHRC Research Centre
Truesound Transfers
Glenn Gould Audio Archiv»
Michelangeli Site
Soviet Composers
Opera America
Thunderstone Audio Websi»
Lenard's Opals monitor
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Micro Seiki RX-5000
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Mid-range tantrix round»
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