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Phono stages with SU-1
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Richard Wetz and Martin »
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Kevin Puts, American Com»
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Turntable speed analysis.
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Beethoven PVC Trio, Opus»
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The SACD and the Windows»
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Audio Cost
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Orchestra of 32 Loudspea»
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Is any interesting audio»
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Horn-Kultur 5-Way from G»
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Audiotism: cable elevato»
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Thoughts from Clark John»
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About dymick sparkling.
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A horny newcomer: Pink F»
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Optical Cartridge: groun»
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Midbass impedance bumps »
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5-ways from Speedysteve7
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The realty of UHF and LF»
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I built this device
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Mahler 3 and BPO.
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VMPS RM V60 – kill me, b»
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“Why horns”, years later.
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A CD playing audio perso»
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How we "think"»
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The fantastic Lucas Deba»
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The differential diagnos»
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Buying a last cartridge.
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To play my 88/24 files o»
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Dannoy and oxytocin...
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250 watts Parallel S.E. »
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Shostakovich‘s "Suite on»
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MDTunes™ from SoundLab l»
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Playback journeys and Mu»
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Another problem in my ne»
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... again on GOTO Unit d»
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Stunning Resurrection in»
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The “Implied Sound” in Audio.
5994
The Art of Listening
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Active Implied sound and Distortion
5993
The 'Shadow' Audio methods …
5993
An other dichotomy of audiophysiology
5992
Adumbration
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I want more about it.
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Links to the audiophysiology subject
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"The test files"
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I knew of this test and tried it
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Correlation of the criteria
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Taste: a question of perception?
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Marketing "Taste"
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Fashion not taste
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Is it just a conversation?
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Practical applications of implied sound
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Answers to the test
5990
Test scoring
5989
Here is the key
5989
That key scores nothing
5989
Your link is dead
5989
Try it later
5989
Tone and musical preferences
5988
I didn't look at the key
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The recording ART?
4528
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