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Random Site's Threads
» The real goals of sound »
» 5 Channel Version of Mel»
» Optical Cartridge: groun»
» Romy the Cat’s Audio Hom»
» It is all about hard sur»
» That is not 1812 and the»
» Amazon and MP3
» Macondo’s Midbass Projec»
» PlayClassics TRT v2.0 ma»
» Passive line level cross»
» Live vs. Recorded transc»
» Any good sounding AES/EB»
» Acoustics of Avery Fishe»
» An air compressor and TT.
» FMFool – a truly useful »
» RIP Oscar Peterson
» The commercial music ser»
» Rohde & Schwarz EU-6»
» How to insert pictures i»
» The Mozart’s Dorabella a»
» Stupid SME question abou»
» The New sound of London »
» The nature of "soun»
» Do not touch that used t»
» Not all audio equipment »
» Big room vs small room
» Wywires – “Custom” desig»
» A longer CD-Rom cable.
» Infinite Baffle Implemen»
» I built this device
» Kevin Brooks Acoustic Sy»
» A sort of DPOLs
» The FM Stereo and Multi»
» Swing hornspeaker of bd-»
» The tales of two phonost»
» The “Dead Points of Live»
» What are the effects of »
» JBL 2490 mid-range driver
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Classical Recordings New»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Accuracy vs. Musicality (and YMMV) 465 
Look at this photograph... 464 
Musical Intelligence 464 
There is definitely truth to that 464 
This is a purely artifactually constructed problem 464 
HiFi it is then 463 
Real vs Emotional 463 
Think about ut. 463 
Thus Spake Zarathustra 463 
I like this subject 462 
Musicality 462 
Magico Gryphon modern systems 461 
Cost vs Complexity vs SOTA vs Personal 461 
Is Audio Personal? 461 
Please Continue! 461 
Is Audio Personal? 460 
I think audio is not about taste 460 
Cessaro vs Living Voice or Real vs Musical 460 
"Taste" vs "Awareness" 460 
It can ONLY be personal 460 
That is a great subject 460 
Maybe 460 
A dead-end objective. 460 
It is not an objective 460 
Some examples 459 
Shaping Sound 459 
My Audio Rule: go for perfect Dynamics 458 
Favorite sound 458 
It's a Long Way to Tipperary 458 
It is a very complex subject 457 
Sure, It is very complex 456 
I think you are very confused. 456 
DPOLS and Tone 456 
Perfect Electricity 456 
Tone vs transparency 456 
Good Electricity vs. Topology 456 
Proper setup meaning 456 
Transparancy vs. Density 456 
Density is an elusive thing 453 
Bingo! 453 
Bad LP or simply another phono correction curve? 452 
Sound Engineers as UberConductors, 452 
I think that the history of microphone placement i... 450 
The Performance vs. Playback 450 
The Play of Differences 437 
There is an important state of "good enough&q... 432 
Again With Time... 432 
Where is happyness? 430 
If Not For Music, Then Why Audio? 430 
There IS high end without music! 429 
Isn't it all about a regular creativity? 429 
The Thread That Joins Us 429 
Live vs. (Re)produced 331 
"Just Stereo"? 239 
DPOLS 238 
Doing What We Can Do 238 
Audio Rules 237 
All context of this site except the Forum's posts Copyright © Roman Bessnow 2004-2025
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Classical events in Boston
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Composer's Anniversaries
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My Audio Leftovers
Micro-Seiki Arm Board
Lamm L2 Reference pream»
Micro-Seiki MAX-282 To»
Vitavox S2/S3 diaphragms
“Tree Blind Mice” colle»
ESS AMT-1A Heil Air Mot»
Stage Acompany SA8535 d»
Fane Studio 8 dual conc»
REL Precedent 646C tuner
Sansui TU-X1 Tuner
Ortofon Mono CG 25 Di c»
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