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Romy the Cat has found another room. I’ve started a new fiction project under my name, Roman Bessnow. The new work is at MutationsBook.com

Audio Knowledge Tree ™
Romy's "Audio Rules"
Audiophile Satire
Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
My Playback System
» DIY Void acoustics Air m»
» Think ahead how to measu»
» Mercury Living Presence »
» I am thinking about anim»
» Michelin horns
» Myth of CD clocking = Tr»
» Bose audio and industry »
» Rejection of non-natural»
» BD-Design’s Orelino
» Classic Artc Showcase St»
» To Milq builders: correc»
» Just-Sound of Audio vs. »
» Midbass injection channel
» How would you handle it?
» Hickok Tube Testers: Qui»
» Accidental death music.
» Conductor Herbert Kegel
» Taking the mystery out o»
» The “better speakers” to»
» Ortofon MC Anna cartridg»
» Sibelius VC; Furtwangler»
» 6C33C myths: audio Moron»
» Violin Concertos
» An air compressor and TT.
» The Supernatural Josef H»
» "Zaratustra II"»
» Driver Alignment, and Wh»
» A new film about Karajan
» Tannoy Red or Gold monit»
» Time Alignment : Live Pe»
» The EdgarHorns: the new »
» About my listening habit»
» High End 2012 in Germany
» All Active! A DSET and m»
» Disregard Digital with V»
» American National Record»
» A tribune to Transient E»
» Purist Audio Design vs. »
Bookmarked are red
Sibelius Academy music l»
Dolmetsch Online
Decca Classical discogra»
Ward Marston's "Marston"»
Joachim Raff Society
Silent Running Audio
Former Sirkorski Site
Tonal tests
Exotic Audio
Classic Records UK
Haenssler Classic
Thunderstone Audio Websi»
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Cmpare them 831 
I wonder to what effect transcribing music has in the preservation of music. 830 
Musicians transcribe many things all the time 830 
I will give you one hour... 830 
Just majic... 829 
"In The Moment" 829 
Why I brought those two pieces together 818 
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