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» Balanchine’s “Pathetique”
» MDTunes™ from SoundLab l»
» A speaker set with JBL 2»
» Maxim Vengerov: Encore i»
» A DSET is better then an»
» I am not a Nostradamus, »
» A perfect "High-End»
» Playlists and patience
» A turntable platter as a»
» Summary: my/your audio: »
» A New Way Forward with P»
» Building a new music room
» Relief from micro-arcing»
» Taking the mystery out o»
» The "anecdotal"»
» Benjamin Britten’s Violi»
» BPO's virtual concert ha»
» DHT driver & input
» Equalizer? Hm…
» Macondo – Super Melquiad»
» About reviewer’s qualifi»
» Reference Recordings “di»
» VMPS RM V60 – kill me, b»
» Why Hight-End Audio, as »
» The crossovering Messiah»
» 4-sale items
» Entry level DSET Melq?
» Holly Proscenium idiocy!
» Future of high-end audio
» Roger Waters' Ça Ir»
» Romy's Horns
» Unexplained haunting exp»
Bookmarked are red
Thomas Dunker's Site
John Lenard Burnett's si»
Linkwitz's "Laboratory"
Piano Wizard
Eugene Ormandy Pages
Classical Collections
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Irvington Music
American Broadcasting
Tempo-Electric - Arthur »
Joachim Raff Society
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 12 Takács Quartet in Gr»
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