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» K-Stereo Ambience Recove»
» A complex Audio Question
» Audio Tekne driver align»
» Initial thoughts about n»
» Think how a playback com»
» The Foolishness of Analo»
» How does it sound?
» Idea of a 3way horn syst»
» What a week in Boston!
» WGBH Opera Bash 2009
» Le C'leach horn rear cha»
» Is it the time to change»
» Melq 6e5p driver stage f»
» Micro Seiki MAX 282 User»
» Woofer cone materials an»
» My old Fi-Hi gear associ»
» First order filtration a»
» Horns and digital crosso»
» New, Transparent Speaker»
» How to give bats a heada»
» About Stupid Dynamic
» Myth of CD clocking = Tr»
» Crossover or non-crossov»
» From bad Opera to good O»
» Subjective evaluation of»
» Danley's optimised paral»
» The “Wet and Fuzzy” cabl»
» Perspective?
» An Acquired Taste
» Staxquiades project
» Dvorak Cello Concerto in»
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» RIP Oscar Peterson
» Accidental death music.
» The “Right of Spring” – »
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
NPR Classical Programs
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a woman takes the podium a»
he wasn’t toscanini, but h»
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another trump blunder»
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Composer's Anniversaries
de Mondonville, Jean-Josep»
Hiller, Johann Adam (25 De»
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Poos, Heinrich (25 Decembe»
My Audio Leftovers
Conscience of audio rev»
Vitavox S2/S3 diaphragms
CEC TL-0 MK2 transport
REL Precedent 646C tuner
Stage Acompany SA8535 d»
Electro-Voice T350 twee»
Vitavox 330Hz Horn for »
Lamm L2 Reference pream»
Micro-Seiki Arm Board
Hillock TV-2 tube tester
Tribute Output Amorphou»
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