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End of Life Phonostage
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My Exotic Audio Leftovers
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» A beautiful miller's dau»
» Entereing the "Desi»
» Kharma Speakers as pH-in»
» The road to less dummine»
» Tape Machines
» Film in Boston: "An»
» Horn Enclosures & &q»
» A dive to Auro 3D
» Jonathan Valin smokes La»
» 6C41C – the journey to n»
» Conclusions on my Home a»
» What lives in Symmetric »
» An ultimate transformer »
» Revisiting DSP
» 3012, 312, M2-12 or ... ?
» FMFool – a truly useful »
» Dvorak Cello Concerto in»
» Micro Seiki RX-5000 stat»
» The mono cartridges para»
» Micro seiki SX-8000 Air »
» The “Melquiades” Sound -»
» Beethoven IX and Fü»
» Analog: a reduction of s»
» The dynamic range of our»
» The Patrick Flanagan’s N»
» Magico Mini or Jonathan »
» JBL2440 on a round 300Hz»
» If you were to start fro»
» The Norman Lebrecht’s ar»
» First Bruckner listening»
» PlayClassics TRT v2.0 ma»
» Updated view: The Optima»
» Getting more power from »
» High-End Audio. The thir»
» Pop-music as a side-disc»
» “How audio might sound”
» Melquiades: too early fo»
» Tuuubes - where are the »
Bookmarked are red
Duntech Audio loudspeake»
The Tape Project
Norman Lebrecht's blog
Tempo-Electric - Arthur »
Electron Tube Data sheets
All Tube Testers
Louis Speichler's Records
Tubecad publication
Value of Records Tool
Audio Perfectionist
Art Songs and Librettos
Vincent Brient's Sit
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Electro-Voice T350 twee»
Purist Audio Design Pro»
Ortofon Mono CG 25 Di c»
Conscience of audio rev»
Altec 515B bass drivers
Musatex-TP Bidat 20-Bi»
Lamm ML-2 Single-Ended »
Lamm L2 Reference pream»
Kenwood L-02T FM Tuner
Rohde & Schwarz EU-6201»
Micro-Seiki MAX-282 To»
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