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End of Life Phonostage
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» I think it is the end.
» Oliver Sacks' "Musi»
» Jaap van Zweden kicks as»
» New sample 24/96 downloa»
» Playback and chamber mus»
» My current conductor obs»
» High-End Audio vs. High-»
» A quest for a better SET.
» Thoughts on midbass horn»
» Stay home with Bruckner
» Are Any Powerful Amps Wo»
» The best “Die Fledermaus»
» BD-Design’s Orelino
» Fostex tweeters, Lowther»
» Don't evaluate audio by »
» Omni-directional 'horny'»
» The New sound of London »
» RIP Henryk Mikolaj G»
» If I were a High-End Aud»
» Fire and Music
» Credibility of digital i»
» Crash course on horns an»
» Tanglewood's 75th annive»
» More or less pleasure: w»
» Attempt of a playback sy»
» Analogue to digital conv»
» Subjective evaluation of»
» Just Hi.. and my audio b»
» Maxim Vengerov: Encore i»
» VMPS RM V60 – kill me, b»
» Middle step (non ultimat»
» The unintended consequen»
» Altec radial phase plug »
» Melquiadising other amp?
» Gas voltage reference 0A»
» Deep-cryogenically treat»
» The invisible sound barr»
» Satisfying result: the R»
Bookmarked are red
Aria Database
Jammin' Jersey
Neal's Recordings
Lied and Art Songs
Audio Perfectionist
Vintage Audio Trader
The AHRC Research Centre
Tubecad publication
NPR's SymphonyCast
Sound Tourism
Scriabin's Sonatas
Hughs Ominous Tubes
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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CEC TL-0 MK2 transport
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