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» THE Show, Irvine 2018
» My beloved Contraltos: k»
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» How High-End Audio can b»
» The high-end audio, as i»
» An idea of Individual Re»
» So sad that did not see »
» What would be left in au»
» EMI rollercoaster across»
» UHF capable tweeters and»
» Janine Jansen Violin
» Pham Thanh Cuong's playb»
» How to make a playback t»
» Schimmel's Voxativ Ampeg»
» About destiny of “High-E»
» DSET and Cables.
» High-End Audio and ... c»
» Sansui TU-X1 Broadcast m»
» ELROG tubes sinked but s»
» My (Amplification + Acou»
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» Playback as an expressiv»
» The Melquiades' "Re»
» Musique Concrete horns
» The Color of Bass
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» What, no Mahler?
» "New" TechDas »
» A new 'chic' foolishness»
» The iHorn - a passive a»
» A DSET is better then an»
» Opera “Boris Godunov”
» The “new” ways for initi»
» Avantgarde Trio, Roy Gre»
» Khachaturian anyone?
» “They either adore me or»
» Bartok piano works
» Tweeters: the most misus»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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Purist Audio Design Pro»
Rohde & Schwarz MSDC Mu»
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Micro Seiki RX-5000
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