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» Introduction to “Melquia»
» A discussion about the a»
» Conclusions on my Home a»
» Vasily Petrenko in Bosto»
» Sonic consequences of re»
» Meitner Audio - Ed Meitn»
» High-End Audio. The thir»
» The 5th horns in stack o»
» Do not buy CDs mastered »
» Playback and Perception »
» Mid-bass Hornresp (V51.3»
» Why David Robertson does»
» 2011 Brucknerathon
» “Why horns”, years later.
» Bach Piano Concertos, 1,»
» Creative listening
» Prokofiev's cantata
» Gardzienice "Metamo»
» In Praise of Infidelity »
» Why people still sell co»
» A contemporary great CD »
» Shindo Latour
» Compression drivers saga
» Macondo’s MiniMe or abou»
» T.H.E. Show, Newport, 20»
» Amplifiers heat… a real-»
» Hørning prøble»
» How the things are getti»
» Loudspeakers and headpho»
» Dennis Colin's Sound Str»
» The ultimate buffer – li»
» Fake Vitavox S2 diaphrag»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Vitavox AK-15/40 15" ba»
Lamm Industries M1.1 Mo»
CEC TL-0 MK2 transport
Musatex-TP Bidat 20-Bi»
Pacific Microsonics Mod»
Altec 808A compression »
Micro-Seiki MAX-282 To»
Tribute Output Amorphou»
Lamm L2 Reference pream»
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Micro-Seiki Arm Board
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