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Random Site's Threads
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» Short midbass horns
» Munich 2017, Avantgarde »
» Paradoxes of my Racism.
» What drives good sound?
» How to start Classical M»
» Simpson Microphones thre»
» Integrated sound field o»
» The one-stage Melquiades.
» Polarity Tester – a must»
» Entereing the "Desi»
» Better solution for bein»
» The Evolution of Honk.
» Single-stage Melquiades »
» Building On "Accide»
» A different breed of 6C3»
» A single worst thing in »
» Wharfedale Super 12/RS/D»
» Can a ultimate playback »
» A listening room for a d»
» The 'Side's End Ceremony»
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» The mono cartridges para»
» De-stress not decompress»
» D'Agostino/Momentum SS M»
» Benjamin Grosvenor is co»
» Medici TV, interesting…
» So sad that did not see »
» Audio equipment vs. live»
» Dedicated Music Room Bui»
» Japanese Super High Mate»
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» Seven phases in the life»
» Observations and Thought»
» An amplifier for Tweeters
» A request to all members»
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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NPR Classical Programs
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he wasn’t toscanini, but h»
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Composer's Anniversaries
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Absil, Jean (23 October 18»
Harrison, Lou (14 May 1917»
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Hoffman, Marcus (2 Februar»
My Audio Leftovers
Koetsu Onyx Platinum Ca»
Lamm Industries M1.1 Mo»
Musatex’s Bidat Model "»
Micro Seiki RX-5000
Vitavox 330Hz Horn for »
Hillock TV-2 tube tester
REL Precedent 646C tuner
Vitavox AK-15/40 15" ba»
Electro-Voice T350 twee»
Vitavox S2 Compression »
Fane Studio 8 dual conc»
More Leftovers »»