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» Hans Vonk Legacy
» A fundamentally faulty J»
» Kharma Speakers as pH-in»
» Vitavox S2 with Electrom»
» The great Corus performa»
» Brahms PC #1, Philharmon»
» Our Fuzzy Pussies, Audio»
» Shindo Latour
» Munich High End 2010
» The 'nature' of said rea»
» About audio Crashes.
» Vincent Brient’s playbac»
» The Deutsches Requiem of»
» Today’s SACD - music for»
» Constant directivity = c»
» A horn workshop
» Johannes Brahms - Sympho»
» The Estonian idiocy: Est»
» The state of High-Effici»
» About the audio Sources.
» Tanglewood 2010
» Are Any Powerful Amps Wo»
» Where are the full-funct»
» Bad orchestras shell not»
» Don Quixote BSO Live tod»
» Long time due: Digital P»
» An idea of Individual Re»
» Ode to joy
» Links in the Knowledge T»
» Conductors and Audio Sou»
» Swing hornspeaker of bd-»
» Myth: High-efficiency L»
» Charles Schlueter’s inte»
» Melequiades PSU
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» Single-stage Melquiades »
» K2HD -yet, another CD fo»
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Bookmarked are red
The Soul of Sound
OboinaThor
Music & Arts
Adnan Arduman's site.
Jogis Röhrenbude's Site
ElecroVoice’s Vintage Pr»
Linkwitz's "Laboratory"
Aria Database
OperaGlass
Art Songs and Librettos
Boston Philharmonic Orch»
ClassicalNet
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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