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» Optical Cartridge: groun»
» Do not pursue full-range»
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» A cutoff horn loudspeake»
» 7788 tube mic pre design
» A Frankenstein Macondo -»
» A Plasma Tweeter made in»
» Valve Preamplifier for M»
» How to start Classical M»
» A quest for a better SET.
» Alessandro Baricco's &qu»
» Bruckner integral
» Practicality of paper ma»
» Living Voice Loudspeaker
» Auro, reverb injection, »
» Hørning prøble»
» Performance of a week.
» Afraid loudspeakers that»
» Hmmm... the sad truth ab»
» Reel-to-Reel Tape vs. Ra»
» Course & guide on ho»
» Scientific vs. audio act»
» Deficiency of sensible a»
» Trading cable elevators »
» DHT driver & input
» Musicians' ear
» What lives in Symmetric »
» RIAA pole two = 501,12 Hz
» In defense of Mikhail Pl»
» The Audio of 21 century:»
» Macondo's Axioms: Horn-l»
» A new 'chic' foolishness»
» Playback evaluations mad»
» Romy...thoughts on Lamm »
» Tractrix Bass horn vs Sp»
» It is about timbres, stu»
» The ultimate worst best »
» Paganini's Daemon : A Mo»
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Virtuosos Discographies
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Adnan Arduman's site.
Dolmetsch Online
Orchestra of the Age of »
Wood Horn Speakers
MusicWeb
Classical Collections
Professional Audio Calcu»
Michelangeli Discography
Wiener Philharmoniker Di»
Dr. Olson Tribute Site
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Vitavox S2/S3 diaphragms
Kenwood L-02T FM Tuner
Hillock TV-2 tube tester
Musatex-TP Bidat 20-Bi»
Fane Studio 8 dual conc»
Musatex’s Bidat Model "»
Micro-Seiki MAX-282 To»
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