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» Music in the Sound: a mo»
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» Festival “Son & Imag»
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» Problems with horns: upp»
» Help to identify the LF »
» In appreciation of Koshka
» The FM Stereo and Multi»
» Bye-bye Studer…
» Crossover Design
» BSO and 192kps
» Shall quality-price be r»
» Exceptional loudspeakers»
» Wine, women, song.. and »
» About the Critical Audio»
» Weinberg String Quartet »
» Instrumental music vs. o»
» Van Cliburn Moscow 1958
» Gershwin's Rhapsody in B»
» The state of High-Effici»
» Electro-Voice T350, T35,»
» Get, or made up a tube t»
» BBC broadcasting radio e»
» European Triode Festival»
» Melquiades (D-Set) parts»
» Shostakovich’s 100th bir»
» DSET phoned home?
» "Not So Sweet Spot&»
» Sound Quality and “Elect»
» Why I do not love Mahler?
» Open cell foam in horns »
» How audio started….
» Pro Audio: JBL SR-4735X
» Sound is like a proverbi»
» Seven hours of live musi»
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Tonal tests
Pjay's Speaker building »
Duke Classical
Olson Acoustical Book
Exponential/Hyperbolic C»
Qualiton
John Lenard Burnett's si»
Input Choke & Resonant C»
Rottenburger Museen
Japanese's HiFiDo
Norman Lebrecht's blog
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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