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» 6E6P-DR in triode mode
» Digital crossovers self-»
» In Praise of Infidelity »
» Transparent horns
» Tannoy Red 1960s: some s»
» Beethoven PVC Trio, Opus»
» Julia Fischer in Boston »
» A tube tuner? REL Preced»
» A quests for an ultimate»
» An interesting Russian p»
» Meitner Audio - Ed Meitn»
» Lamm Industries: a speci»
» Brahms [piano] Concerto »
» Shelter 901 on SME 309 t»
» Harry Pearson new round »
» About Stupid Dynamic
» The bizarre magnetized 6»
» More or less pleasure: w»
» Bid Midbass Asian Horns
» Bye-Bye Reel
» Hickok Tube Testers: Qui»
» November to remember… an»
» How to listen High-End A»
» Don’t "use" VTA
» The Estonian idiocy: Est»
» Macondo listening experi»
» Hungarian folded horn
» Ever thought about how m»
» Garg wants more horns.
» What about 220V 50Hz?
» New Barenboim’s Bruckner»
» The GoodSoundClub’s ‘Ult»
» The differential diagnos»
» Speakers: a hi-fi disast»
» Nothing Is Perfect
» High-End Audio Bass: wha»
» The absolutely “best” ma»
» I am not a Nostradamus, »
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Heart's Ease
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Classical Recordings New»
Parnassus Records
The Leonard Cohen Files
Vladimir Lamm Site
Input Choke Calculator
Tuners Stereo Surgeons
Club Abbadiani Itineranti
WGBH's “Keeping Score”
Daniels Audio
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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