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» Yarlung Records at 24 bi»
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» Analog vs. Digital... wi»
» Wharfedale Super 12/RS/D»
» The Ridiculous Japa-Braz»
» Use absolute polarity as»
» A quest for a better SET.
» The Hand Clapping by Fra»
» About my listening habit»
» Eq for 78's
» Burn any single-driver s»
» It is possible to elimin»
» Le C'leach horn rear cha»
» Conchita Supervia
» Myth: High-efficiency L»
» The “Melquiades” Sound -»
» Furtwangler War Years Re»
» My today’s views on LP c»
» Here is my new tonearm.
» Macondo Frame modificati»
» Constructing LF modules »
» The Lieberson’s Neruda S»
» The cut or not to cut, t»
» Sub-woofer integration w»
» Horn high-sensitively ar»
» About Wilson Audio Louds»
» Dream Hi-Eff Speakers fo»
» The “Right of Spring” – »
» Closer to the musicians »
» Naked Sound and Whether.
» The inflatable speakers »
» Looking for the most vin»
» Lampizator horn
» Which SME 3009?
» Walter conducting Vienna»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Vitavox S2/S3 diaphragms
Altec 515B bass drivers
Micro-Seiki MAX-282 To»
Stage Acompany SA8535 d»
Sansui TU-X1 Tuner
REL Precedent 646C tuner
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Micro-Seiki Arm Board
CEC TL-0 MK2 transport
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