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» The Deutsches Requiem of»
» His Master Voice’s Shade»
» Audio and the “Alzheimer»
» Danley's optimised paral»
» Macondo's Axioms: Horn-l»
» Observations and Thought»
» Live vs. Recorded transc»
» How to play mp3.
» BiDat: One more output
» DBT - a signature of lis»
» Fire and Music
» Winter storm & Casals
» What’s up with these gia»
» A random neutralness
» Trash your “full-rage”, »
» 3012, 312, M2-12 or ... ?
» Double enclosure or usin»
» Engineering over Art
» Software for collection »
» Antelope: might be an in»
» Beware of "Higher F»
» Horns and digital crosso»
» Is any interesting audio»
» Vitavox corner horn
» Atkinson vs. Tektronix: »
» The Kato-san's Goto »
» Creative listening
» The real goals of sound »
» MET Broadcast, season 20»
» A passive but elegant pr»
» Dannoy 2021 Loudspeakers
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Radiotron Designers Hand»
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Classical Recordings New»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Purist Audio Design Pro»
Lamm L2 Reference pream»
Micro-Seiki Arm Board
Ortofon Mono CG 25 Di c»
Micro-Seiki air-suspend»
Conscience of audio rev»
Korvet “Egg” Tonearm
Musatex-TP Bidat 20-Bi»
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Sansui TU-X1 Tuner
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