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» Some conical horns anti-»
» A use of extraordinarily»
» Making it sing...
» Problems with horns: mid»
» Another light for the LS»
» 6C41C – the journey to n»
» Solid state revisited
» Stephen Hartkel, the goo»
» Building horn onto power»
» The Krell’s cursed Sound»
» Horns and digital crosso»
» The most emblematic reco»
» The Macondo’s Upper Bass»
» The great Corus performa»
» What lives in Symmetric »
» Prokofiev
» The best audio system: m»
» The contemporary pressin»
» Time alignment of drivers
» Planning my DSET
» The Sakuma's Show
» Beethoven IX and Fü»
» Targeted Audio Listening»
» Baseline measurements an»
» Deep End DIY - Austral»
» Bye-bye Studer…
» RDANA - about banning no»
» Johannes Brahms - Sympho»
» "Something is rotte»
» Audio Sonar Acoustic Lev»
» A new amplifier from Aud»
» Copyright protection for»
» "It" Thread
» Phase plug for midbass
» Integrated sound field o»
» Radio Netherlands’ Live!»
» Orion Phono Preamplifier
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Russian Music in 20th Ce»
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GS Tube
Koussevitzky & BSO
Linkwitz's "Laboratory"
Exponential/Hyperbolic C»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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another trump blunder»
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it’s (almost) business as »
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Lamm Industries M1.1 Mo»
Korvet “Egg” Tonearm
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Musatex-TP Bidat 20-Bi»
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