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» How Piazzolla should sou»
» How would you handle it?
» Listening rooms and comp»
» Single-stage Melquiades »
» Brian Cheney of VMPS
» Do curved corners help???
» Entry level DSET Melq?
» DA architecture: True M»
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» My new favorite "Ne»
» How to select mid/upper »
» Constructing LF modules »
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» About Boiling Micro Resp»
» The 'Side's End Ceremony»
» Problems with horns: upp»
» The Ralf Stegmueller’s h»
» Philadelphia Orchestra c»
» Non-Jewish Jewish music »
» Lower cost horn loaded a»
» The Abington Something =»
» About destiny of “High-E»
» SET and speakers: disreg»
» Shaky tubes, echo testing
» The best audio source EV»
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Bookmarked are red
Value of Records Tool
Greg Sando’s Site
Jong Woo's Site
Radiotron Designers Hand»
Nornan Lebrecht's blog
Tin Lee Electronics
Art Songs and Librettos
Austria's Musical Exiles
Duke Classical
Truesound Transfers
Daniels Audio
33+45=78
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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LF Transformer for 6C33C
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Purist Audio Design Pro»
Micro Seiki RX-5000
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