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» Multi-amping crossoverin»
» Wagner and loudness.
» About the life-expectanc»
» Critique audio performan»
» Ravel's Piano Trio; Rubi»
» Position your speakers a»
» An Interview With Dr. Br»
» Macondo listening experi»
» Who has best sound in Hi»
» Headphone amplifiers. Ba»
» A random neutralness
» How to select mid/upper »
» Fun with transformers?
» The “better speakers” to»
» Brahms, "Liebeslied»
» Digital crossovers self-»
» An ultimate horn profile?
» Ultimate Tonearm
» God bless WDR Symphony O»
» Those experiences. Early»
» A primer on high-end mar»
» Too damn loud?
» A new generation of full»
» The High Resolution PCM »
» Benjamin Britten’s Violi»
» Pham Thanh Cuong's playb»
» The Nimbus' Prima Voce b»
» Ah, Michelangeli...
» What are the effects of »
» Oliver Sacks' "Musi»
» Romy The Cat's new Liste»
» The objectives of Einste»
» Audio Tekne driver align»
» Audio and Music: four le»
» Moscode, Morecode, Moron»
» The invisible sound barr»
» Great Cello Concertos
» To play my 88/24 files o»
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