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» Acoustics of Avery Fishe»
» About Timbre and Audio.
» An interesting Russian p»
» Splitting XLR into Multi»
» A proper implementation »
» Some kinky goodies from »
» DAW is down… new DAW.
» 50/40 Altec 604 Duplex B»
» Building “Zarathustra II»
» About DSET-driven multi-»
» How to give bats a heada»
» Jaap van Zweden kicks as»
» Van den Hul famous FAQ c»
» The mystery of AmpX
» About the life-expectanc»
» Chicago Horn Loudspeaker»
» BD-Design’s Orelino
» Munich 2017, Avantgarde »
» In interesting new compa»
» High Quality Music Serve»
» Eventually I’ve seen a l»
» Evaluation of tractrix c»
» “How audio might sound”
» MDTunes™ from SoundLab l»
» Surprising: the most int»
» Trading cable elevators »
» What to read in audio?
» High End 2012 in Germany
» Panel with Peter Qvortru»
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» I do not even know where»
» A big room with good aco»
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Tahra Records
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The Air This Week
George Szell discography
Solid State Electronics
DaVinciAudio Labs
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Input Choke & Resonant C»
Direct Heated Rob
Electronics encyclopedia
DIY SET
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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a woman takes the podium a»
he wasn’t toscanini, but h»
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‘the lost pianos of siberi»
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it’s (almost) business as »
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Micro-Seiki Arm Board
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