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» George Orwell and loudsp»
» Okada’s installation.
» Open Baffle Speaker Desi»
» Technology and Ideation;»
» A weekend of treats by B»
» Herbie's Hal-O Tube Damp»
» A speaker set with JBL 2»
» Wanted Vitavox S2 Origin»
» Don Quixote BSO Live tod»
» October surprise. NY, NY»
» A true nature of audioph»
» 23Hz mono horn project.
» The best picture of audi»
» Crossover Design
» 7788 tube mic pre design
» Disregard the industry p»
» Recapping RX5000
» The best Third Movement »
» FM and live real-time br»
» Question on speakers
» 12AX7 or?
» Mr. Kleen Stylus cleaner
» Overlooked Cello Reperto»
» DeCompressor - Puncher P»
» A littlie D-War: Bidat v»
» To move audio equipment »
» Position your speakers a»
» Klangfilm: actual knowle»
» The WHRB’s Rimsky-Korsak»
» The “Dead Points of Live»
» Nikolaj Znaider's play a»
» A need for Resolution /S»
» 250 watts Parallel S.E. »
» THE Stargazer
» The Andrew Rose’s “Prist»
» Archimago's Musings talk»
» An ultimate transformer »
» The open project: a late»
Bookmarked are red
Museatex
Classical Recordings New»
Dr. Bruce Edgar Interview
Delta Entertainment
Great Hong Kong Blog
The Soul of Sound
Electronics encyclopedia
Boston Philharmonic Orch»
Phil Mundi Audio Pro Med»
Tuners Stereo Surgeons
Adnan Arduman's site.
Classical Music Network
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Micro-Seiki Arm Board
Vitavox S2/S3 diaphragms
Musatex-TP Bidat 20-Bi»
Micro-Seiki MAX-282 To»
Korvet “Egg” Tonearm
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SME M2 - 12" Tonearm wi»
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Vitavox AK151 15" bass »
Altec 808A compression »
Stage Acompany SA8535 d»
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