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» Beware of PurePower Part»
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» The girl with banjo - th»
» Submerging deeper into A»
» Is horn a natural shape?
» New, Transparent Speaker»
» The absolutely “best” ma»
» Suggested target curves »
» Digital Voicing
» About DSET-driven multi-»
» A Good Tchaikovsky PC 1?
» Lamm ML2.0 & Lamhorn»
» 3 ways how I listen to m»
» A new film about Karajan
» Inner Groove Distortion »
» Belar fms-2 Vs. r&»
» AMR PH-77: just another »
» I do not even know where»
» Rohde & Schwarz EU-6»
» The leather-suspended dr»
» The Andrew Rose’s “Prist»
» A lucidly implemented di»
» An Acquired Taste
» Melquiades For Dummies™ »
» The Tenor amplifier and »
» Zanden 2500S CD player +»
» The New sound of London »
» Schroder Tonearms
» Virginia Tech and Music
» How would you handle it?
» Reviewing preamps by imb»
» Polarity Tester – a must»
» Amazing Altec 288 ++
» How to mitigate the expe»
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Boston Philharmonic Orch»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Lamm L2 Reference pream»
Sansui TU-X1 Tuner
Vitavox S2/S3 diaphragms
Electro-Voice T350 twee»
REL Precedent 646C tuner
Pacific Microsonics Mod»
“Tree Blind Mice” colle»
Micro Seiki RX-5000
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