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» The experiments with rem»
» The last message of audi»
» Phase plug for midbass
» The “Primary Frequencies»
» Practicality of paper ma»
» Sound of Ehernet cables?
» Magico Mini or Jonathan »
» A right midbass solution»
» Critique audio performan»
» Red Violin Concerto
» The Mercury "Rigole»
» A DSET is better then an»
» The "Nubianco"»
» Ode to joy
» An objective tool to tra»
» EMIA Phonostage.
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» What TRULY high-audio p»
» Van den Hul famous FAQ c»
» Zanden 2500S CD player +»
» 3012, 312, M2-12 or ... ?
» Yamamura's 6 ways
» Audio critique – open yo»
» Playing bad recordings u»
» Classic Artc Showcase St»
» The "new" Shos»
» Deep-cryogenically treat»
» About beauty and uglines»
» Bach by Ormandy’s Philad»
» Gospel, pop, jazz and co»
» Small SET’s bass, beside»
» Classical Music for the »
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Ron Penndor's Recollecti»
Great Hong Kong Blog
Twogoodears' Blog
Michelangeli Site
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Decca Classical discogra»
Dr. Bruce Edgar Interview
Phil Mundi Audio Pro Med»
Duke Classical
BostonSymphony's Channel
Electron Tube Data sheets
WGBH alumni
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
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APR 12 Takács Quartet in Gr»
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