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» The most promising “best»
» Altec Model 19 in Boston.
» Class “D” – the industry»
» Why David Robertson does»
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» About playback and messa»
» Bruckner 9, Transcriptio»
» Arranging my records col»
» Brahms PC #1, Philharmon»
» CDs: good tendencies.
» John Cage about silence »
» Convergent Legend Preamp»
» Dvorak/"Dumky"»
» Yamaha ns1000m speaker p»
» Celibidache / bruckner
» Audio and the “Alzheimer»
» What about 220V 50Hz?
» SET and speakers: disreg»
» A new amplifier from Aud»
» Remote control - the ult»
» Recapping RX5000
» Pop-music as a side-disc»
» MF on AF2, and (perhaps)»
» Brahms' Magelone Songs
» The strings period: the »
» $350.000 of audio-script»
» Macondo listening experi»
» The today’s take on Rach»
» What is it all about? De»
» Abbado + Lucerne Festiva»
» Rebel++ first blood, Amp»
» New nanotube speaker tec»
» BPO's virtual concert ha»
» Earl Geddes: Horny Book
» About the thoughtfulness»
» Optical Cartridge: groun»
» Integrated sound field o»
» The silence after coda
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Soviet Composers
Electron Tube Data sheets
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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