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» A quest for a better SET.
» The stunning “The Magic »
» Stephen Hartkel, the goo»
» Best of the HE2006!!!
» Time Alignment : Live Pe»
» Cessaro Gamma II and Ome»
» Polish Chamber Choir - S»
» Phono stages with SU-1
» Dvorak Cello Concerto in»
» Sibelius VC; Furtwangler»
» Adding one more non-sphe»
» The European Triode Fest»
» An idea of “Rain Wake-Up»
» Elgar conducts Elgar.
» Why GOTO do not care abo»
» DAW drives configuration»
» ... and some Bruckner bu»
» Electrovoice t350 repair»
» 3012 silicon dumping
» Inner Groove Distortion »
» Why I do not like La-hor»
» Achingly Beautiful Arias
» ULF: where is the border»
» A Moscow setup with Horn»
» “How audio might sound”
» Coral x-viii
» Vitavox S2 with Electrom»
» About Stupid Dynamic
» I hate, hate, hate, hate»
» Tosca, Aida, Madama Butt»
» A revolution for Executi»
» 3 way Tractrix Horn Buil»
» Andre Previn in Boston.
» Macondo Horns: biography.
» Artificial Phases Random»
» Rakeshorns
» Audio and Politic: a sol»
» Shaky tubes, echo testing
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Lenard's Opals monitor
Female Composers Site
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Volvotreter Homepage
The Music Parlour.
Overgrown Path
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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it’s (almost) business as »
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Micro-Seiki air-suspend»
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CEC TL-0 MK2 transport
Purist Audio Design Pro»
REL Precedent 646C tuner
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