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» The Silence of the Lamms!
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» A cutoff horn loudspeake»
» George Orwell and loudsp»
» Arsenic bacteria & G»
» FM Acoustics
» Revisiting DSP
» 2011 Brucknerathon
» The essence of High-End »
» Tannoy Red or Gold monit»
» The many sounds of a City
» Mozart: "Cosi Fun T»
» The experiments with rem»
» DBT - a signature of lis»
» “They either adore me or»
» (monitor vs hifi speaker»
» Audio vs. Musical pitch
» Do the Filament Transfor»
» Dvorak Piano Quintet
» A big room with good aco»
» How difficult is it to a»
» Woman conductor?
» FM Acoustics: The most i»
» Beethoven IX and Fü»
» My playback can’t play l»
» New speaker system
» Klipsch Jubilee
» Opera “Boris Godunov”
» It is all about hard sur»
» Open letter to WGBH.
» Bach and kids…
» How Mussorgsky should so»
» Remembering Sound…
» Getting Started with Mya»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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he wasn’t toscanini, but h»
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another trump blunder»
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David, Johann Nepomuk (30 »
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Huber, Klaus (30 November »
Hunt, Jerry (30 November 1»
Vitavox S2/S3 diaphragms
Altec 515B bass drivers
Vitavox S2 Compression »
Hillock TV-2 tube tester
ESS AMT-1A Heil Air Mot»
Musatex’s Bidat Model "»
Altec 808A compression »
Ortofon Mono CG 25 Di c»
CEC TL-0 MK2 transport
Electro-Voice T350 twee»
Micro-Seiki MAX-282 To»
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