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» Idea of a 3way horn syst»
» DA architecture: True M»
» Terminal Velocity? Smart»
» Shall quality-price be r»
» Micro Seiki SX 111FV Pla»
» Zander, BPO, George Li a»
» Bravo, Stereophile: Adve»
» Analogue to digital conv»
» The high-end audio, as i»
» SME M2-12 tonearm
» A very slow monolog abou»
» Tchaikovsky’s “Pathetiqu»
» “Zarathustra” amplifier:»
» Selling Audio...
» Problems with horns: twe»
» Rare Onkyo HM-300 MK2 Ho»
» Nanse Gum and his Euro-A»
» 45Hz Bass Horn
» The Active High Frequenc»
» The funny Internet audio»
» This new midbass horn di»
» Open Baffle Speaker Desi»
» Macondo vs. the “industr»
» Purist Audio Design vs. »
» Jaap van Zweden kicks as»
» Multi-amping crossoverin»
» RDH20 Frame double horn »
» How to get a LOT of SET »
» Who makes horns? Archite»
» Gas voltage reference 0A»
» Reinforced live sound in»
» Shaky tubes, echo testing
» Some Observations about »
» Building horn onto power»
» Choosing Someone to Refu»
» Martin-Logan, Myles Asto»
» Metaxas-Wolfson ADC with»
» Time Alignment : Live Pe»
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Audio Anthology
Jong Woo's Site
Dr. Olson Tribute Site
Exotic Audio
Piano Wizard
Jogis Röhrenbude's Site
Valves Collection
Duke Classical
Russian Music in 20th Ce»
Audiomisc
Haenssler Classic
Tahra Records
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Electro-Voice T350 twee»
Korvet “Egg” Tonearm
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Ortofon Mono CG 25 Di c»
Musatex-TP Bidat 20-Bi»
Vitavox AK-15/40 15" ba»
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ESS AMT-1A Heil Air Mot»
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REL Precedent 646C tuner
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