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End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» Furtwangler War Years Re»
» A request to all members»
» To move audio equipment »
» Midbass Horns and Real E»
» A Plasma Tweeter made in»
» Use absolute polarity as»
» UHF capable tweeters and»
» The Expressive Technolog»
» Lamm hybrids: M1.2 vs. L»
» Celibidache / bruckner
» Why Hight-End Audio, as »
» Remastering (and re-loca»
» The “Right of Spring” – »
» Tanglewood 2010
» State Symphony of Russia»
» Maria by Callas
» MF on AF2, and (perhaps)»
» My trip to the Stereophi»
» Active Tonearm Monitorin»
» What is wrong with Dipol»
» Rightsizing from extreme»
» Some horn writing by Tho»
» Tonality versus Frequenc»
» CD horn and JBL: Crossov»
» The bogusness of the coa»
» Interesting use of Lunda»
» Tosca, Aida, Madama Butt»
» A discussion about the a»
» Driver tubes, grid leak »
» Horns and digital crosso»
» Gershwin's Rhapsody in B»
» Hiroyasu Kondo: “My thou»
» Dynamic range in histori»
» About audio Crashes.
» Good commercial speakers
» The experiments with rem»
» hello cats...meow.
» Inside views of "me»
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AUG 1 BU Tanglewood Instit»
AUG 1 Danish String Quarte»
AUG 1 Light & Shade in Var»
AUG 1 Mozart: The Marriage»
AUG 1 Esa-Pekka Salonen, c»
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AUG 2 Andris Nelsons, cond»
AUG 2 Music from Less Expe»
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CEC TL-0 MK2 transport
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