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» Instrumental music vs. o»
» MF on AF2, and (perhaps)»
» Lamm’s new phonostage.
» The Evolution of Honk.
» Lutoslawski’s Concerto f»
» Transition : Driver to t»
» RCA’s Sound And The Story
» A car with vacuum tube..»
» Beethoven PVC Trio, Opus»
» Panel with Peter Qvortru»
» How does [Phaseplug Desi»
» Vitavox S2 coupling
» New Horn Speaker Manufac»
» If I were a High-End Aud»
» Use absolute polarity as»
» Canadian Speaker Proposal
» A proper implementation »
» Thomas Mayer’s Triamp
» Dpols?
» Audio Tekne driver align»
» About Omnivorenes of Pla»
» Greek Arcadian Audio new»
» What you folks got for B»
» I do not know what else »
» The Mozart’s Dorabella a»
» The IDEAL horn system
» I think my Dynavector 10»
» Metal domes
» My playback: what is nex»
» Introduction to “Melquia»
» CATS Purring tempo, slid»
» How audio started….
» The nature of "soun»
» Esther Kim. What did you»
» Compression Drivers -in »
» We do not have an audio »
» A CD off tune? The Big C»
» List of top 20 conductor»
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Max Robinson’s “Fun With»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Micro Seiki RX-5000
CEC TL-0 MK2 transport
Mid-range tantrix round»
Electro-Voice T350 twee»
Hillock TV-2 tube tester
Lamm ML-2 Single-Ended »
Musatex’s Bidat Model "»
Tribute Output Amorphou»
Lamm L2 Reference pream»
Vitavox 330Hz Horn for »
Micro-Seiki MAX-282 To»
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