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» High-End Audio demo, the»
» About TTH characteristic»
» The Trout - Perlman, Ba»
» Splitting XLR into Multi»
» EMIA Phonostage.
» The Absolute Sound of Au»
» Nothing to read.
» 6 Channel Version of Sup»
» Building “Zarathustra II»
» Lampizator horn
» Amplifiers heat… a real-»
» The bogusness of the coa»
» About rationalism of twi»
» Playing music for visito»
» Creative listening
» Sometimes surface noise »
» Say “no” to the light to»
» Avantgarde method of cap»
» Glorious HDMI Cable.
» Whatever they say about »
» How do you position your»
» Not just another leather»
» Wanted Vitavox S2 Origin»
» Anyone know this horn fl»
» Bliss
» Nice collection of Artic»
» Le Poeme Harmonique
» Anything wrong with wide»
» Orphean horns / BMS driv»
» Eventually I’ve seen a l»
» Steinway and Lyngdorf lo»
» “Zarathustra” amplifier:»
» The experiments with rem»
» A slightly crazy idea fo»
» My recent FM mystery
» The Sound assessment rec»
» Wasted Time and "be»
» A resistor between scree»
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Russian Music in 20th Ce»
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Joachim Raff Society
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NPR's SymphonyCast
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GEMM catalog
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Purist Audio Design Pro»
Pacific Microsonics Mod»
Musatex-TP Bidat 20-Bi»
Hillock TV-2 tube tester
Ortofon Mono CG 25 Di c»
Rohde & Schwarz MSDC Mu»
Micro-Seiki MAX-282 To»
Vitavox S2/S3 diaphragms
Micro Seiki RX-5000
CEC TL-0 MK2 transport
Lamm L2 Reference pream»
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