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» Summary: my/your audio: »
» Copper Mat on a Micro Se»
» SME M2
» The ultimate buffer #2..»
» Listening playback with »
» Munich High End 2010
» From bad Opera to good O»
» Why people still sell co»
» A great article from Pet»
» Contact-free volume cont»
» Mitigating Undesired Hig»
» Make Your Own Horns
» If I were a High-End Aud»
» The best speaker in the »
» Bruckner and women
» Do the Filament Transfor»
» Film about Jacqueline du»
» Moerch DP6 and DP8 “anis»
» Happy birthday Johann Se»
» Volti Audio's Vittora
» Sibelius VC; Furtwangler»
» About dymick sparkling.
» Better DAW by a “second”»
» Hi-Fi Mini Systems
» The WHRB’s Orgies period.
» How Piazzolla should sou»
» About DSET-driven multi-»
» How would you handle it?
» Here is my new tonearm.
» CEC TL0 3.0 trasport
» Looking for the most vin»
» Matching audio to music:»
» The FM Radio. What a Hel»
» Problems with horns: upp»
» About High-End Audio for»
» James Levine takes a gre»
» Monitors: Wishful thinki»
» “Get Better Sound” by Ji»
Bookmarked are red
OboinaThor
Opera Collector Guide
Joachim Raff Society
33+45=78
Plasma Tweeters Site
Aria Database
Pjay's Speaker building »
Loudspeaker Designer's G»
Decca Classical discogra»
DIY SET
ElecroVoice’s Vintage Pr»
Input Choke Calculator
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
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APR 12 Takács Quartet in Gr»
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