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» Experimental horn
» Tchaikovsky’s “Evgeny On»
» NOS Wagner move - what i»
» The Andrew Rose’s “Prist»
» MDTunes™ from SoundLab l»
» Say “no” to the light to»
» Too damn loud?
» Great Cello Concertos
» Dual channel SET
» Eighteen Sound ND1460A c»
» Film about Jacqueline du»
» Reinforced live sound in»
» Designing and building a»
» Stay home with Bruckner
» Active Tonearm Monitorin»
» I can't wait to read the»
» Building horn onto power»
» Best of the HE2006!!!
» "Master Quality Aut»
» Alessandro Baricco's &qu»
» Solid state revisited
» Cessaro Gamma II and Ome»
» Playing music for visito»
» Custom enclosure?
» Evaluation of tractrix c»
» Wywires – “Custom” desig»
» Another (outdoorsy) swea»
» Open Baffle Speaker Desi»
» Crossover or non-crossov»
» Fidelity Research FR-7
» The differential diagnos»
» Brahms, "Liebeslied»
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» Boston Vinyl Stores?
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
NPR Classical Programs
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augustin hadelich: tiny des»
c.p.e. bach: mercurial dive»
Classical Music News
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julian bream, maestro of g»
a woman takes the podium a»
he wasn’t toscanini, but h»
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Composer's Anniversaries
Destouches, André-Car»
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Kozeluh, Jan Evangelista A»
Mendelssohn-Bartholdy, Fel»
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Stants, Iet (17 January 19»
Dallapiccola, Luigi (3 Feb»
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Alain, Jehan-Ariste (3 Feb»
Pickenhayn, Jorge Oscar (3»
Goeyvaerts, Karel (8 June »
Schat, Peter (5 June 1935-»
Greven, Gert-Jan (3 Februa»
My Audio Leftovers
Ortofon Mono CG 25 Di c»
Conscience of audio rev»
ESS AMT-1A Heil Air Mot»
“Tree Blind Mice” colle»
Micro-Seiki air-suspend»
Altec 515B bass drivers
Electro-Voice T350 twee»
Altec 808A compression »
Tribute Output Amorphou»
Vitavox S2/S3 diaphragms
Korvet “Egg” Tonearm
More Leftovers »»