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» Building a new music room
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» Watching conductors of t»
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» The global live televisi»
» Sound of Ehernet cables?
» Rohde & Schwarz EU-6»
» Deep End DIY - Austral»
» The “bread and circus” o»
» A discussion about the a»
» Metal domes
» Making it sing...
» I would like to believe »
» Selling Audio...
» A speaker set with JBL 2»
» Analog FM on a PCI cards?
» An unexplored way to dea»
» Bad orchestras shell not»
» Macondo – Super Melquiad»
» Baltimore Symphony Appoi»
» 3 ways how I listen to m»
» Some evidence for the ch»
» Rcf n850
» What to read in audio?
» 'Fundamental rich' liste»
» The beauty of Cannibalis»
» The wonder of Ayre Acous»
» Beethoven IX and Fü»
» French Horns/drivers sho»
» “Hearing Modernity” at H»
» Vintage JBL products lin»
» Terminal Velocity? Smart»
» “A” sound from “B” syste»
» Good small SS amplifier
» What about 220V 50Hz?
» Why the tubes shall be t»
» THE Stargazer
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Exotic Audio
Classic Records UK
Jong Woo's Site
ElecroVoice’s Vintage Pr»
WHRB Radio Station
IMSLP Music Library
AudioTools
33+45=78
Duke Classical
Volvotreter Homepage
The Well Tempered Comput»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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