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Random Site's Threads
» Where are our good Tuner»
» A great production of th»
» Audio critique – open yo»
» The best 20 hz bass horn
» This new midbass horn di»
» A tribune to Transient E»
» Midbass injection channel
» The BBC Proms 2009
» The ultimate cancer of a»
» New audiophile download »
» WGBH Opera Bash 2009
» Engaging the David Haign»
» Compression at WCRB - b»
» How to manage the digita»
» Stunning Resurrection in»
» Upper-Sound of Upper-Imp»
» Loenid Kogan
» Chesky's violin concerto
» Transition : Driver to t»
» About the Audio Neutrali»
» I wonder if this crap is»
» An interesting read abou»
» Magico new 5 ways idea. »
» Time Alignment : Live Pe»
» Super Melquiades, Macond»
» Kenwood L-02T and the hy»
» Richard Wagner. Somethin»
» Multiple EQ curves of A»
» A new strange but predic»
» The Mercury "Rigole»
» Some analysis of the Joe»
» Pham Thanh Cuong's playb»
» 6E6P-DR in triode mode
» It is about timbres, stu»
» Some horn writing by Tho»
» After-concert download –»
» Paradoxes of my Racism.
» Okada’s installation.
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
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NPR Classical Programs
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he wasn’t toscanini, but h»
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Composer's Anniversaries
Vecchi, Orazio (6 December»
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Paterson, Lorna (19 Februa»
van Nieuwkerk, Willem Wand»
My Audio Leftovers
Korvet “Egg” Tonearm
Vitavox AK151 15" bass »
Lamm Industries M1.1 Mo»
ESS AMT-1A Heil Air Mot»
Kenwood L-02T FM Tuner
Electro-Voice T350 twee»
SME M2 - 12" Tonearm wi»
Vitavox 330Hz Horn for »
Purist Audio Design Pro»
Lamm ML-2 Single-Ended »
“Tree Blind Mice” colle»
More Leftovers »»