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Random Site's Threads
» New Lynx A/D and D/A pro»
» The Hannes Kastner’ Tocc»
» Macondo vs. the “industr»
» RDH20 Frame double horn »
» A very good horns system.
» Herbie's Hal-O Tube Damp»
» Gould's Piano
» Learn to differentiate b»
» The road to less dummine»
» Like theese?
» Bruckner Ninth and the W»
» About the (secret) rules»
» Melquiades For Dummies™ »
» To Rip or not to Rip.
» The "NEW T.H.E Show»
» Micro SX8000I: noisy pum»
» "O Vitavox, Vitavox»
» The 68 dipoles imitation»
» Liszt’s symphonic poems.
» How to mitigate the expe»
» Dannoy and oxytocin...
» The Saudi Arabia and Uni»
» About Darwinism of Music»
» About the DAW playback s»
» Moerch DP6 and DP8 “anis»
» A new strange but predic»
» Resonating hi from overs»
» Do the Filament Transfor»
» Dreams about Audio
» THE Show, Irvine 2018
» Speakers: a hi-fi disast»
» The CES 2005
» Horns and digital crosso»
» Micro seiki SX-8000 Air »
» Hungarian folded horn
» The List: Let age public»
» Horn Enclosures & &q»
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Classical events in Boston
APR 11 Benjamin Zander, con»
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APR 12 Takács Quartet in Gr»
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Composer's Anniversaries
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My Audio Leftovers
Vitavox S2/S3 diaphragms
Lamm L2 Reference pream»
Fane Studio 8 dual conc»
Altec 515B bass drivers
Vitavox AK-15/40 15" ba»
Purist Audio Design Pro»
Micro Seiki RX-5000
Hillock TV-2 tube tester
Micro-Seiki air-suspend»
CEC TL-0 MK2 transport
Electro-Voice T350 twee»
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