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» The Jeff Day’s Westminst»
» Learning to interpret RTA
» The Museatex Bidat pages.
» Some conical horns anti-»
» R22
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» First Order on Bass chan»
» RIP, Joan Sutherland, &q»
» The stunning “The Magic »
» Analogue to digital conv»
» Romy, how does the origi»
» Dc10audio.
» Bad, bad, bad 1812 Overt»
» Romy...thoughts on Lamm »
» Every crowd has a silver»
» Those little headphones…
» Re-set Martha Argerich!
» Audio Note new turntable»
» Reel-to-Reel Tape vs. Ra»
» About TTH characteristic»
» NASA Reverberant Acousti»
» The industry’s high qual»
» Excerpt: Beethoven Cello»
» Has anyone built the DIY»
» It takes balls to shop (»
» The BBC program about gr»
» Crossover or non-crossov»
» Do not reproduce extreme»
» Steinway and Lyngdorf lo»
» The 5th horns in stack o»
» My new favorite "Ne»
» Virginia Tech and Music
» About digital files and »
» Do not over-damped your »
» About the Playbacks’ Thi»
» Kloss 5-way horns setup.
» What, no Mahler?
» Interesting use of Lunda»
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Ward Marston's "Marston"»
Soviet Composers
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Lamm L2 Reference pream»
Altec 515B bass drivers
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“Tree Blind Mice” colle»
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LF Transformer for 6C33C
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