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» Jean Hiraga’s cooking of»
» Entereing the "Desi»
» World's First Concrete R»
» Audio and Politic: a sol»
» It is all about hard sur»
» The DHOFT topology? Do n»
» Tedeska Cartridges.
» In appreciation of Koshka
» Relief from micro-arcing»
» Midbass impedance bumps »
» Schroder Tonearms
» Designing and building a»
» High-End Audio and ... c»
» Floor reflections
» RIP Oscar Peterson
» Big room vs small room
» Problems with horns: mid»
» A Moscow setup with Horn»
» A full-range quality-tri»
» Tube outputted CDP's and»
» Semi-Interesting film fr»
» JBL Project Array
» Too damn loud?
» Why the tubes shall be t»
» Remastering (and re-loca»
» Plaishner 3-way speaker.
» John Cage about silence »
» Crossover or non-crossov»
» Magico new 5 ways idea. »
» TU-X1 setup
» Brahms 4th Symphony in i»
» My new horn systems
» Real-time free and publi»
» Brahms Double Concerto
» Winter storm & Casals
» Bach's performing space.
» Practical Guide for Back»
» The strings period: the »
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Opera Collector Guide
Toccata Classics
The Opera Critic
Volvotreter Homepage
Lied and Art Songs
Direct Drive TT
Furtwängler's conserts
Vladimir Lamm Site
Wood Horn Speakers
33+45=78
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Micro Seiki RX-5000
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