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» Smetana's Piano Trio
» A request to all members»
» Gould's Goldberg Variati»
» Selling Audio...
» Expectations in the conc»
» A stunning contra-Bruckn»
» New CubeAudio Tractrix H»
» Thoughts on midbass horn»
» The EdgarHorns: the new »
» Mercury Living Presence »
» The commercial music ser»
» The Mercury "Rigole»
» Vitavox and Goodmans Bas»
» Course & guide on ho»
» The Saudi Arabia and Uni»
» New Shalin Liu Performan»
» A new European productio»
» I would like to believe »
» 4-way horn system Prelude
» Paganini's Daemon : A Mo»
» The contemporary pressin»
» Johannes Brahms - Sympho»
» K2HD -yet, another CD fo»
» What lives in Symmetric »
» Multi-amping crossoverin»
» Rightsizing from extreme»
» I think it is the end.
» Cerebral and psychologic»
» Why I do not love Mahler?
» Nikolaj Znaider's play a»
» 7788 tube mic pre design
» The nature of "soun»
» Loenid Kogan
» Weiss Engineering DAC202
» The Verklarte Nacht with»
» To be or not to be.
» To hear Haydn for a firs»
» America, version 2004
Bookmarked are red
WGBH's “Keeping Score”
Tonal tests
Tempo-Electric - Arthur »
The Air This Week
Dolmetsch Online
Stereopal
MetManiac Opera Archive
Paul's Antenna Attic
Glenn Gould Audio Archiv»
Aria Database
Electronics encyclopedia
Toccata Classics
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
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