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» Bruckner 8 in Washington»
» Film in Boston: "An»
» An angry engineer...
» Why Horn loaded systems?!
» Horn length/expansion/gr»
» Critique audio performan»
» Micro Seiki SZ-1T
» Bravo Brahms, Bravo Wand»
» Carbon Interconnect
» My Audio "Reviewing»
» Beethoven PVC Trio, Opus»
» Where are our good phono»
» Russian cello festival
» Problems with horns: upp»
» Sandisk Sansa Clip +
» Reinforced live sound in»
» It is possible to elimin»
» Hickok Tube Testers: Qui»
» My favorite video clips
» Adding one more spherica»
» Configuration from Italy»
» Today: Rachmaninoff in A»
» An air compressor and TT.
» DeCompressor - Puncher P»
» K2HD -yet, another CD fo»
» The stunning “The Magic »
» Think Denk and op.106
» Why second tonearm/cartr»
» Bach, Brandenburg Concer»
» JBL LE8
» How Mussorgsky should so»
» Montreal Audio Show 2013
» Digital crossovers self-»
» T.H.E. Show, Newport, 20»
» Le Poeme Harmonique
» Instrumental music vs. o»
» Assemble it yourself?
» Polarity Tester – a must»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Musatex’s Bidat Model "»
Purist Audio Design Pro»
Vitavox AK151 15" bass »
Pacific Microsonics Mod»
Lamm ML-2 Single-Ended »
Stage Acompany SA8535 d»
Korvet “Egg” Tonearm
CEC TL-0 MK2 transport
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Micro-Seiki air-suspend»
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