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» LF Amplifier in biamping.
» Ca(r)t before the horse:»
» Interesting non horn spe»
» Melq 6e5p driver stage f»
» The ultimate buffer #2..»
» Acoustics of Avery Fishe»
» Haliaetus: Dick Cheney’s»
» Where are our good Tuner»
» How do you position your»
» Beethoven PC 5 Surprise »
» The most ridicules symph»
» Vitavox ak151 in klipsch»
» Bartok piano works
» Zander's new Masterclass
» Yarlung Records at 24 bi»
» VoES
» A horrible re-performanc»
» "Zaratustra II"»
» The 'nature' of said rea»
» A sort of DPOLs
» A great article from Pet»
» Western Electric reprodu»
» Midbass injection channel
» Does horn surface porosi»
» Dynamic range in histori»
» Tanglewood 2010
» Gaussmeter wanted.
» Some nice horns from Gre»
» Tritium Turntables
» The short "6C33C Su»
» Making it sing...
» Bass drivers inquiry
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Classical events in Boston
APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
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APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
NPR Classical Programs
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a woman takes the podium a»
he wasn’t toscanini, but h»
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another trump blunder»
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Composer's Anniversaries
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My Audio Leftovers
Korvet “Egg” Tonearm
Musatex’s Bidat Model "»
Rohde & Schwarz EU-6201»
Rohde & Schwarz MSDC Mu»
Lamm ML-2 Single-Ended »
Vitavox S2/S3 diaphragms
Fane Studio 8 dual conc»
SME M2 - 12" Tonearm wi»
Altec 808A compression »
Lamm Industries M1.1 Mo»
Koetsu Onyx Platinum Ca»
More Leftovers »»