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» VMPS RM V60 – kill me, b»
» Introduction to “Melquia»
» A dive to Auro 3D
» “They either adore me or»
» Another Boston Radio Sta»
» EMI rollercoaster across»
» Position your speakers a»
» Has anyone built the DIY»
» Some Orchestra on Demand»
» TOA monster sized compre»
» A truly cool solution fo»
» Hans Deutsch active acou»
» Smyth Research Realiser »
» The new CEC TL1 transpor»
» Long time due: Digital P»
» Some Horns propaganda
» Goto SG-370DX measurement
» Digital crossovers self-»
» Beware of the monophonic»
» Musicians' ear
» Myth of CD clocking = Tr»
» My recent FM mystery
» Choosing Someone to Refu»
» More power from Melquiad»
» Walter conducting Vienna»
» Recording options: Pacif»
» True High-End Audio: Ant»
» ESS Connoisseur: a sensi»
» Superbly interesting eff»
» Tchaikovsky: Symphony No»
» Macondo listening experi»
» High End Munich 2014 imp»
» A magnetic hybrid driver.
» RIAA pole two = 501,12 Hz
» SS Amplification for Com»
» Understanding Line Array»
» I would like to believe »
» Sibelius VC; Furtwangler»
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Phil Mundi Audio Pro Med»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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de Groot, Jan Rokus (6 May»
Korvet “Egg” Tonearm
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Musatex-TP Bidat 20-Bi»
Rohde & Schwarz EU-6201»
Ortofon Mono CG 25 Di c»
Electro-Voice T350 twee»
Vitavox S2/S3 diaphragms
Altec 515B bass drivers
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Stage Acompany SA8535 d»
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