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» Clark Johnsen.
» Some nice horns from Gre»
» The great pianist Earl W»
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» Audio-tekne's "Tone»
» The optimum Sampling Rat»
» The girl with banjo - th»
» High Pass Inductors
» Wet/Dry ™ configuration »
» The most interesting hor»
» Arranging my records col»
» Every crowd has a silver»
» Reference Recordings “di»
» 6E6P-DR in triode mode
» Choosing Someone to Refu»
» Munich 2017, Avantgarde »
» How Piazzolla should sou»
» The Dark Hope of Renee F»
» Modifying TAD 2404
» October surprise. NY, NY»
» New set-up causing major»
» Oistrakh(s) on Monitor M»
» Overlooked Cello Reperto»
» The path of simplificati»
» Samuel Feinberg's Well-T»
» Macondo’s MiniMe or abou»
» Lutoslawski Concerto for»
» Do not “compare” audio e»
» A Good Tchaikovsky PC 1?
» The SACD and the Windows»
» About DSET-driven multi-»
» The today’s take on Rach»
» A fundamentally faulty J»
» The nature of "soun»
» The sound of Concert Hal»
» Copland/BSO/Copland
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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