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» Soprano Sally Matthews.
» Sound of line level filt»
» Superbly interesting eff»
» Janine Jansen Violin
» Denouncing of idea of Ba»
» Gardzienice "Metamo»
» Object-oriented audio re»
» Yamamura's 6 ways
» The 3 things that audio »
» Bad, bad, bad 1812 Overt»
» Tonearm Alignment Method
» Volti Audio's Vittora
» Playlists and patience
» Maxonic drivers from Jap»
» Where high-end audio sta»
» Rohde & Schwarz EU-6»
» "Seamless extended »
» Goodbye to EMI?
» Digital Voicing
» Sound from behind a wind»
» Vitavox S2 with Electrom»
» Abbado + Lucerne Festiva»
» To be or not to be.
» Fidelity Research FR-7
» What to read in audio?
» New Sonus Faber
» Transparent horns
» What drives good sound?
» How to manage the digita»
» Some thoughts about bass»
» How to select mid/upper »
» John Cage about silence »
» An air compressor and TT.
» About speakers Imbedded »
» Lamm L1 vs. L2 preamp
» Playback and chamber mus»
» I would like to believe »
» High Pass Inductors
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Value of Records Tool
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Retro hi-fi blog
Random Classics
Spinning Dog Records
Holger Klein's Soundpage»
The Music Parlour.
Furtwängler's conserts
Michelangeli Site
Audio Database
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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a woman takes the podium a»
he wasn’t toscanini, but h»
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another trump blunder»
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classical music attracts o»
‘the lost pianos of siberi»
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it’s (almost) business as »
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Micro-Seiki MAX-282 To»
Micro-Seiki Arm Board
Lamm L2 Reference pream»
Purist Audio Design Pro»
Tribute Output Amorphou»
Mid-range tantrix round»
Electro-Voice T350 twee»
CEC TL-0 MK2 transport
Micro Seiki RX-5000
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