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» To be or not to be.
» Greek Anima Loudspeakers
» Atkinson vs. Tektronix: »
» The Evolution of Honk.
» Impossibility of commerc»
» “Zarathustra” amplifier:»
» Walter conducting Vienna»
» DA architecture: True M»
» Inner Groove Distortion »
» Reflex enclosures used a»
» Audio and Music: four le»
» European Triode Festival»
» The LCR RIAA correctors
» Beware of PurePower Part»
» Expressive Technologies »
» Mystery of bass horn cal»
» Attempt of a playback sy»
» Playing bad recordings u»
» Liszt’s symphonic poems.
» Initial thoughts about n»
» Claude Perrier and his t»
» How to give bats a heada»
» Small SET’s bass, beside»
» Outdoor horns
» Another topic on vitavox»
» Seven hours of live musi»
» I good spot-light for a »
» CD Is Dead. CD Is Dead?
» Bach and Rain
» "Zaratustra II"»
» Plugin for drawing segme»
» Stephen Hartkel, the goo»
» A contemporary AD1 Triod»
» Altec radial phase plug »
» Brahms [piano] Concerto »
» Roger Waters' Ça Ir»
» The best audio product o»
» Dedicated horn loaded mi»
Bookmarked are red
Perer Gulmann's Classica»
Great Plains Audio
Takashi Asahina Group
VIP Records
Boston Philharmonic Orch»
Jammin' Jersey
Hughs Ominous Tubes
Tuners Stereo Surgeons
Rachmaninoff Society
AudioTools
Hickok Maintenance
Piano Wizard
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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Micro-Seiki Arm Board
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Stage Acompany SA8535 d»
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Koetsu Onyx Platinum Ca»
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ESS AMT-1A Heil Air Mot»
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Electro-Voice T350 twee»
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