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» The iHorn - a passive a»
» An educational Eugenie’s»
» The Brain Inertia.
» How is Leak tl 25 differ»
» About the (secret) rules»
» Not new, but VERY intere»
» Non-Jewish Jewish music »
» The 3 things that audio »
» I need a “second-type” p»
» Mravinsky/Leningrad from»
» Vitavox and Goodmans Bas»
» SET and speakers: disreg»
» New Motor for an Old Sot»
» Use absolute polarity as»
» What constitutes a great»
» Life 3.0
» Open letter to WGBH.
» Micro seiki SX-8000 Air »
» Bruckner, Wind and the w»
» DIY LCR phono
» Some Horns propaganda
» To Rip or not to Rip.
» New old records shopping
» An interesting Russian p»
» Need A audio connector &»
» My beloved Contraltos: k»
» From GoodSoundClub, with»
» Recording/Playback softw»
» Audio industry metaphor
» The Best Of Wiener Philh»
» Designing and building a»
» The cut or not to cut, t»
» A playback and wrong not»
» Bach's performing space.
» Micro Seiki RX-5000 stat»
» Audio Quality Matters in»
» Dukane 5A540 Compression»
» Vitavox S2 coupling
Bookmarked are red
The National Valve Museum
Decca Classical discogra»
Pjay's Speaker building »
Toccata Classics
RAAL ribbons
Alexander Karpov’s “Next»
ECC99 - 6C33C SET
Ward Marston's "Marston"»
American Broadcasting
DaVinciAudio Labs
Duke Classical
The Handelmania Podcast
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Kenwood L-02T FM Tuner
Vitavox AK-15/40 15" ba»
Micro Seiki RX-5000
Hillock TV-2 tube tester
Tribute Output Amorphou»
Altec 808A compression »
ESS AMT-1A Heil Air Mot»
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LF Transformer for 6C33C
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