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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» A lucidly implemented di»
» Bose audio and industry »
» A true nature of audioph»
» The "non-winner&quo»
» A use of extraordinarily»
» Hypex for ULF?
» Computer Audio - like ev»
» “Why horns”, years later.
» Foundation Standarts for»
» Accuracy vs. Musicality »
» Performers
» Magico: biological minde»
» Roomy the cat is going t»
» Is any interesting audio»
» The absolutely “best” ma»
» Eben X-3 loudspeakers -»
» The 60-inch LF driver.
» Push pull compound compr»
» Paradoxes of my Racism.
» Tubas and Mc-step
» Ah, Michelangeli...
» Introduction to “Melquia»
» About the ownership of a»
» Brian Cheney of VMPS
» The CES's 2011 horns
» Experience Music Horn In»
» Van den Hul famous FAQ c»
» Remastering (and re-loca»
» Lampizator horn
» A speaker set with JBL 2»
» Audio cabinet of curiosi»
» About digital files and »
» The Museatex Bidat pages.
» CEC TL0-X: by no means a»
» About the (secret) rules»
» Don't evaluate audio by »
» Zebra horns painting?
» Sound of Ehernet cables?
Bookmarked are red
Doremi CD label
High-End Audio
Avie Records
Vintage EV speakers
Opera America
THL Audio
Russian Records
Louis Speichler's Records
Unofficial Vitavox Site
Exponential/Hyperbolic C»
John Lenard Burnett's si»
Input Choke & Resonant C»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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