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The audio preview of the audio part of my Book

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» New nanotube speaker tec»
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» About Stupid Dynamic
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» A true High-End Audio
» The concrete midbass hor»
» Micro SX8000I: noisy pum»
» A Cardboard Effect.
» Null-set dipole butterfl»
» The decentralization and»
» Signal variation, noise,»
» Open cell foam in horns »
» Cessaro Gamma II and Ome»
» The not-so-big listening»
» The one-stage Melquiades.
» Compression at WCRB - b»
» The funny Internet audio»
» It is Miracle
» In interesting new compa»
» Problems with horns: mid»
» If you've never heard th»
» A “pocket version” of Br»
» Italy’s the best: Michel»
» ACR Fabulous-Series PA-1»
» The commercial music ser»
» Alessandro Baricco's &qu»
» The Bruckner 5 by Benjam»
» Audio Tekne driver align»
» A speaker set with JBL 2»
» About the (secret) rules»
» Composers do not own mus»
» Oistrakh(s) on Monitor M»
» Is any interesting audio»
» NASA Reverberant Acousti»
» The Deutsches Requiem of»
» Yet another Gould box se»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Analog vs. Digital... without BS. 6340 
Digital vs Analog? 6339 
Philosophical confusion 6339 
BS about analog vs. digital 6339 
Digital prevalence in recording studios 6338 
Of course it is methodologically wrong 6337 
Digital philosophy 6335 
Digitalization is natural 6335 
Integration in complex structure 6335 
Training the System; Training the Listener 6335 
Are 'modern' LPs truely analogue? 6334 
Digital 6334 
LP after digital processing 6334 
My view over Analog vs. Digital... without BS. 6334 
Nice rule. 6334 
I'm sure you're right 6334 
Digital 6334 
Digital 6334 
Mediocre to badly-sounding digital media 6334 
Music 6333 
What can the laymen do? 6319 
The domination of the “mastered” releases. 6318 
If we are into a valid comparison - should we not compare the Raw file to a master tape? 6215 
Are we comparing anything except our own prejudices? 2329 
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