I have no “apparent aversion” to anything at this point and I would accept absolutely anything that would deliver a result, no mater how crazy it would be. I do not talk even about the X-factors or about anything “kinky” but only about a plane transparency.
You know this state whet a line level device introduce no sound and an introduction of it into a signal path change absolutely nothing? I mean not “almost nothing” or “practically nothing” but a situation when there is absolutely no differences between driving 150K Melquiades with for instance 47R of Bidat source and an introduction a unity gain buffer between the Bidat and Melquiades has no any kind effect to sound. Whatever I trued, no mater how aggressive it was design-wise or how well it was built was able screw the source’s sound. Practically it is horrifying in the very tiny world of lower bass’ tonal and dynamic discrimination. In fact, it was not only there but pretty much everywhere and it always filtered out something.
Certainly I did try a number of different topologies and power supply methods, in including the complete Melquiades input stage running it into rolled-off sensitively of load or killing it gain with a feedback. The problem with all of this was that it didn’t juts deliver a satisfactory result but that is delivered a result that was not even close to the level where any serious conversation might be even started.
I juts do not want to continue on this zombie-research, building the different buffers and keep convincing myself that it was no transparent enough. I know that I act almost like a woman during PMS but so far I have managed to bult a strong prejudges and fear that all of buffers are not transparent enough.
"I wish I could score everything for horns." - Richard Wagner. "Our writing equipment takes part in the forming of our thoughts." - Friedrich Nietzsche