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Joe Roberts wrote: Did you actually read 1980s TAS or just thought sniff it? I think I know the answer. Nope, I did not. I arrived in US in 1992, spoke no English and was able to read cognitively after 1994-95.

Well check it out before you go slagging on HP, because you might discover that he is, in fact, your DADDY.

The original formulation was a bit tedious but had more thought behind it than what "imaging" and "soundstage" developed into as we know it today in the streets. It sounds very similar in intent to your theory outlined in this thread and as I mentioned the overall evaluation program appears related in very many respects.

In general principles, Real Music = The Absolute Sound. Even those labels are similar.

Nothing new under the sun.

I think you mistyped here. Let me to correct your writing. I meant to write the following.

Keep your day job, Hoss.

It turned out that a friend of my read this thread and informed me that a few years back he invented a driver that has “some” similarity with Manger but it has some very fundamental differences.  According to him his driver is free from any existing Manger design limitation.  It is 100Hz to 20kHz and my it’s nature it is liberated from all know Manger’s issues.

Interesting! The Manger specs are 150-30k so that is not a great improvement, but in the Aporia, the backwave characteristics become important. The Manger backwave is not optimal. If this invention is as flat out the back as out the front, that could be an improvement. Does he have any drivers?

J Rob

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