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Joe Roberts wrote:

The notion of meeting up for a penis swinging competition is a dreadful thought. My tool is happy where it is, safe and warm in my shorts.

I kind of missed it in my initial reply but I think it is important. There was no conversation about any “completion” I thought it was clear in my posts. However, there is a benefit in penis evaluation. Not particularly in order to found out whose is bigger but in order to learn if a person whop love to talk about virility ever has a penis. What do I mean is that it is very important in case you do not know people are to understand what the person would like to hear in a playback. I am not talking what he is getting with his but what he would like to get. What you hear somebody custom inhalation you might get an idea what was the objectives and what a person was trying to accomplish sound-wise. THAT set certain reference points about person envelopment into understanding of Sound. They is why I always try to pay attention to what and how the people play their playbacks. If listing somebody else playback you recognize only as “penis swinging” then it only an indication of the primitivism of the people you, Joe, are accustomed to deal in audio. Knowing what you wrote I would not be too surprised, also if it so then what expectations one might have about your Silbatone speakers?

Pay attention I did not express a big enthusiasm of inviting you as I do not invite the people just because they do audio of know how to spell “Tetrode”.  The amount of your posts at diyAudio or in “Sound Practice” has also very little to do with me being “inspired” as I belie that the “Sound Practice” direction was a dead end of truly audio enthusiasms and created mode soldering idiots then qualified listeners.

Anyhow, a few more words about your alleged penis. It is kind of hypostatic to you to insist that your “tool is happy and safe in your shorts”. What you do with Silbatone is no less then taking your very penis very publicly and swinging it like lasso with a primitive desire to catch another Sound Practice’s legacy sufferer.   It is not about Silbatone of the sound that they can or can’t produce but about you cashing your publicity in exchange for people attention to Silbatone. Ironically, and it is a surprised to me that you do not get it yet, I o not question as much the Silbatone sound (I personally just have no interest in it) but I rather I question the lever of seriousness of your audio interests, and some of the things that you expressed in this thread have give me this reasoning. 

So, at least before you consider showing up you really need to think what you might impress me with. Otherwise I would prefer instead of playing music for another boring and immune for senses audio visitor to spend quality time on my couch watching my beloved “The Golden Girls”

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