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twogoodears wrote:

I remember Bach's unaccompanied Cello sonatas seen like numbers of different colours and size in space... oooops: loving maths through music?

Interning, I do not Bach's Cello sonatas but it I would then I see them rather as making a sweater. The making uses many dozen threads of different color of wool. All those rolls of different colors, density, saturation and fussiness of wool are erratically spread around the room (and Cat grads them) but they all feed into one experienced knitter who do all that magic to orange the raw material into the organized patterns of sweater texture.

twogoodears wrote:

Rene Aubry and Carolyn Carson were magic in dancing/music almost PERFECT, better right for the moment, matching.... also Meredith Monk's music creted special, haunting blends, like Robert Een's or Laurie Andreson's or David Van Tieghem's.

I am not familiar with them. What I was taking about “dancing” I mean something like this.

http://www.mediafire.com/?3gyld3g1zvk

http://www.mediafire.com/?b4xnxbnzwk9

I it is unarguable that after getting THIS visual experience the Swan Lake’s music will have slightly different associative value.

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