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In the Forum: Horn-Loaded Speakers
In the Thread: Jessie Dazzle Project
Post Subject: It all might work.Posted by Romy the Cat on: 7/8/2008

 jessie.dazzle wrote:
If I get you correctly, the graph should display a range of around 12dB from top to bottom, in .5dB steps... Yes?

Yes, it would do, you might go for high or lower resolution, and there are no rules in it. You shell pick the resolution and the range that would be illustrative enough for you and with which you would be able to interpite the auditable effects.  For me it starts at 1dB per vertical axes and 1/12octabe in horizontal

 jessie.dazzle wrote:
I noticed that you use a non-logarithmic graph
It might be ether logarithmic or not. It is not really important. I personally prefer non-logarithmic as I interspersed always in narrow bandwidth.

 jessie.dazzle wrote:
"...Your must to select for you’re a metal reference level – you must not balance the system abstractedly. The reference level in your case would be the main plot of your MF channel. I marked it Red on your TRA..."

I understand this to mean an average…

Actually what I meant to say was not metal reference level but mental reference level

 jessie.dazzle wrote:
Measurement distance was about 6 feet back from the mouths of upper-bass horns and centered between the L and R stacks of horns (this is a plot of both upper-mid horns playing together... You will probably tell me that I should have tested a single horn, which is what I usually do). The mic is supposed to be calibrated, its not very old, and it has not been abused. The HF rolling off could be due to the fact that I was not on axis, or that both horns were playing; I also suspect the tone generator... I've been using a little computer program which seems to do ok until it hits the HF range, at which point I can hear it going a bit nuts. The computer sends the signal to the DAC, the same as if it were a music file. I also have a Tektronix tone generator, but have not dared connect it to either the preamp or directly to the power amps. I guess its just a question of measuring the strength of the output signal from the tone generator to make sure I don't fry something in the audio gear (any advice here would be very appreciated).

You need to put a mic to the position where you head will be. If you have down about your generators or anything else then use any good  a test SD. The Sheffield labs “My Disk” has tracks 60-63 that are very good sweep 20-20K.
 jessie.dazzle wrote:
  Up to now I have been superstitious about using anything with resistors directly in front of a driver; but I could maybe mix up a double martini and give it a try.

I do not think that it makes any difference at HF channels and it certainly is no difference at Fundamental channel. The HF drivers afraid capacitance, the LF driver afraid impedance and inductance"...Find what to cross your Fundamental Channel at the bottom. It will depend how much your horn will tolerate without being choked with honk. Do not forget that at the range of the Fundamental Channel’s bottom knee the room maters..."

 jessie.dazzle wrote:
  Yes, make that a tripple martini if I am going below 500Hz, 1st order...

It might work. Make sure that your driver is very well aligned and has very clean gap.
The caT

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