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In the Forum: Audio Discussions
In the Thread: The Tenor amplifier and the writing waves.
Post Subject: What Tenor got in reality?Posted by Romy the Cat on: 6/23/2008

 Gregm wrote:
Just a thought: sound reproduction, which includes main & harmonics, is what... sound reproduction is all about. The idea of performing  reproduction in a consistent or with "structural integrity" manner is welcome -- but, no offense to Tenor -- hardly earth-shattering.

Admittedly, the phrase "structural integrity" is much, much better than saying "reproduces music very nicely, you can appreciate main & harmonics for most of the spectrum"

Yes, you are right but everyone makes empty claims about structural and harmonic integrity no one actually delivers it. The only amps that I ever heard that made any significant attempt on this direction was vintage Lamm ML2.0 - the sound of that amp from a perspective of harmonic integrity need to be studied.  Now Tenor begins to talk about it. Do not forget that Tenor old OTL-75 was as harmonic stupid as it theoretically could be. Who knows, Tenor might review what they did and went to right direction with right innovations.  I do extend some possibly that there is some thinking in Tenor – or course it is difficult to say anything more certainly behind a mask of a typical marketing stupidity

We need clearly understand that Mike Malinowski did not right his review but rather he reflects what Tenor made him to see. So, reading the Mr. Malinowski articles is like listening me singing Caruso’s arias. The truth would be to have Tenor amps sitting in a room connected to speakers and to listen what they got.

The caT

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