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In the Forum: Playback Listening
In the Thread: Amplification and Consciousness.
Post Subject: The Parallel Events are a different subjectPosted by Romy the Cat on: 1/8/2008
 peter foster wrote:
Since obtaining a pair of 'reference' microphones, microphone pre-amplifier and analog-to-digital converter as part of my playback system I have learned much about 'relative reality', 'transformation of reality', 'reinstated reality' and exchange mechanisms. I notice an acoustic guitar in one of your photos. Recording of acoustic guitar and voice and using my playback system as a real time monitor has given me useful perspective on what the player hears 'live', what the audience hears 'live', what the microphones 'hear' and what the playback system 'hears'. It is also possible to have the playback system play the recorded data in real time (while the recording is being made) which operates as a form of injection, i.e., the microphones are recording both the instrument and the playback at the same time (which works at lower playback volumes without feedback)..
Actually, Peter, what you describes was not necessarily what I meant, in fact the “Parallel Testing” settings most of the time is used for experiments with Sound Differences as the “Parallel Events” mostly used to exercise short-term sonic memories. Consciousness perception does not recognize “time” and it does not need instantaneous references. Anyhow, the exchange mechanisms in amplification devise is exchange of Reality of Sound into Reflective Reality. The complexity is that the Reflective Reality has own language and that language is NOT necessarily correlateable with “as is Reality”. The “Parallel Experiments” and the sound re-enforcement things, not matter how interesting they might be, are NOT the methods to observe or to learn about the language of the exchange mechanisms that takes place in amplification.

The Cat

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