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In the Forum: Horn-Loaded Speakers
In the Thread: How to USE “Resonating Oops” in loudspeakers
Post Subject: You do not have it – fake it.Posted by Romy the Cat on: 12/12/2007
 drdna wrote: |
| This is why the discussion of the Injection channel and the use of the loudspeaker like a resonant musical instrument is so apt. |
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Indeed, I did not realized that I shifted my thinking in this thread and an in my general views from the ways of using those “Resonating Oops” to the subject of Injection principles. I think I did it because Injection, as I use it, and the “Resonating Oops” benefits served the very same propose, in fact I “discover” Injection because I was trying to imitate the “Resonating Oops” (this thread is a good dairy how it happened).
Loudspeakers are always a musical instrument but even in musical instruments it is always a question what produces more portion of sound – the fundamental of a vibrating string or the resonance and after-tones of the instrument’s deck. I wish I have skills to control the natural “Resonating Oops” – I do not have them, nether I have in Macondo tools and means to do so. The Injection, I feel, is a good substitute where the Resonating Oops’ benefits are delivered in a predetermined and well managed format. Rerurn to Romy the Cat's Site