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Very nice, Keith, thanks. The most interesting would be to access the “Absolute Tone” capacity of the Gamma. Frankly I feel that with TADs it should not be very too advanced as they are at BMS/TOA domain, only with a little TAD syntactic twist. Even the 2440/375 have more interesting “Absolute Tone”…. I am not well familiar with GOTO (I heard only two installations with then but never owned them) but what I cat feel from my accidental and generally empirical evidences suggest that GOTO have to be very sterile in term of “Absolute Tone” with TAD being on the simulated side of the GOTO’ sterile.

With horns everything is very easy: do not make stupid mistakes and everything will work fine. I do not see any obvious mistakes in Gamma and it is probably the only horn speakers about which I might say it. That brings us back to let the acoustic system to sound as good as the drivers are. Sure the Gamma is a series mass-market model but still I have not mass-market interests…

Unfortunately it is imposable to judge tonal capacity of speakers without relative terms. I generally religiously against comparing of audio ands I feel that only the Morons do it but I know that the nobility of tone is a very different category… and there is no other ways to learn it besides to be exposed to better “Absolute Tone”. The experience of the folks that deal with some of vintage drivers is a good illustration…

Your Raplh should know what I am taking about but I do not know if he knows that it is possible to modulate acoustically the more enhanced “Absolute Tone”. Pitch to him my experience with Injection Channel. Perhaps he or someone else would find better solution for the concept or friendlier implementation… Frankly, if I designed the Macondo from scratch now, after knowing about the Injection Channels what I know now, then I might make some thing slightly differently.

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