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In the Forum: Analog Playback
In the Thread: Thank you, Sir! May I have another (MC-3000 II)?
Post Subject: One Last Fix for a Vintage Audio JunkiePosted by Paul S on: 9/27/2026
AKA: Weird Science…
Some may remember me whining about the cracked rubber
damper inside my now-24-year-old Ortofon MC 3000 II phono cartridge following
Steve Leung telling me specifically that he had replaced it, also my related surprise
when cartridge expert Andy Kim re-tipped the cantilever without mentioning or replacing
the damaged damper. I tried to “not worry about it” for the last 2 years, since,
honestly speaking, the re-tipped cartridge sounded great despite (or, perhaps
because of…) the degraded damper (and sound is what it’s all about, right?).
Well, my Wa was finally disturbed when the sound from my cartridge
became somewhat garbled in the voice range, also a little confused with respect
to ensemble play, and I was convinced the problem was the bad damper. And that’s all it took to bring back the OCD jitters. I contacted
Andy, and he said it would cost a maximum of $600 to replace the damper. I swallowed hard and
sent him the cartridge via Priority Mail on a Thursday. He received the
cartridge Saturday morning, and I got 2 emails from him Saturday evening. The
first email asked for $417 for repairing the cartridge (plus return postage). The 2nd
email explained that a key set screw was frozen in place, and he was sure if he
applied more force, the sintered ceramic cartridge body would break, so he was
not able to replace the damper, after all, but he had done some other things to
address the suspension. I must say, I was nonplussed. Why the hell had he not
contacted me about the problem and the change of plans before racking up
billable time? I straight-up asked him this, and I also asked him exactly what what work he did do. And he literally refused to tell me what he had actually done to
bill $400 (17 was postage…)! It took a while for me to collect myself,
but I did it, and I paid him. A couple of days later, the cartridge came
back to me, and 2 days after that I re-mounted the cartridge, including thoroughly
cleaning the cartridge pins and the tonearm’s cartridge clips. The next day, I
warmed up the system and played a few LPs. I am both relieved and chastened to
report that the cartridge now sounds so clear it is breathtaking. Gone is the
congestion, replaced by a balance of differentiation and integration I have
only seldom heard before. Andy did say, if I handle the cartridge with care I
should get another 2 years from it. Fingers crossed. I still have no idea what
he did or did not do, which galls me, intellectually, but my inner hedonist is just living with the situation, since it includes such great sound.
IMO, this whole episode is a both a caution and and another snapshot of vintage
audio nervosa and resultant nonsense.
Paul S.>>
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