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I think all that Holt-invented language is bogusness. That language exists only in order to manage mechanism of audio distribution/marketing and for nothing else. Sure, those language-armed guys form the Industry see themselves in an epicenter of administration of audio needs but it is not where I see them. I see them as opportunistic sons of the bitches who injected own absolutely unnecessary presents into audio. Read my initial post in this thread and tell me in witch ass all those marketing whores should be stuck if the things in audio were not according to the “Inverted High End” rule? Why do we need any “language” in audio if musical culture has a perfectly developed, stratified musical language? In fact, the distortions of the musical language, while the language is going through audio, is for years, one of my tools to assess playback systems.  Well, as Clark uses to say a few years back “audio became a hobby about literature”…

BTW, Do you know a differents between parks planning in UK and US? Americans recruit an architect who analyze traffic, make the layouts for the roads across the park. Brits seed the whole park with grass and then after a year observes where people were walking and made walkways on the grass, and then, they convert the walkways into the roads….

Anyhow, I do sensually feel that if tomorrow all that industry superfluousness that uses that “invented audio language” as their “processional qualification” would due out from kind of “Syndrome of Sharp Reviewing Moronity” then audio as awareness would only gain from it. As far as I concern they all are dead to me anyway….

Rerurn to Romy the Cat's Site