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In the Forum: Audio For Dummies ™
In the Thread: Dannoy 2021 Loudspeakers
Post Subject: It is all bout me.Posted by Romy the Cat on: 11/24/2022
 rowuk wrote:
I certainly understand how someone would like to have intelligent response for playback. In my world, I think that an interface to the room through variable dispersion could very much improve the relation of articulation to tone in various playback ranges. I just wonder whether it must be intelligent, or if we could find a generic setting that gets "most things" right.

Well, despite how I sound to a common observer, I am very much not in crusade to “get most things right” or to make music to sound “perfect”. When I am talking about “intelligent response for playback” I simply imply not linear response from system but rather some kind of “adoptable response” that do not subordinate itself to non-musical static irrelevant rules, like mechanical suspension of diaphragms, impact that come with room reverberation or intermodulation distortions of a given speaker topology. I am a software engineer and in my design decisions I frequently try to mimic human perception by means of brainless computers, not necessary because I get paid but because it fascinates me to play God in terms of creativity. The very same in playback. I go a VERY serious move in my feeling how audio “might” sound last September. Instead of the stressing the topology that accidently gave me that opportunity I am trying to understand what that topology gave to me that I did not have before. I brough the Horn and the Milq back a few days agon but a am not turning them back and I do not wan to go to Macondo again. I would like to revise the Macondo with something new that I learned last September and all the I am trying to do is to figure out what it was. I am not planning to imitate Dannoy now but rather I would like to understand what in Dannoy impacted me so much and if possible to bring it to Macondo.

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